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dc.contributor.authorTesta, Joseph Edward.
dc.creatorTesta, Joseph Edward.en_US
dc.date.accessioned2011-10-31T18:19:12Z
dc.date.available2011-10-31T18:19:12Z
dc.date.issued1994en_US
dc.identifier.urihttp://hdl.handle.net/10150/186767
dc.description.abstractThe Colorado composer, Robert Kreutz, was born in 1922. Since the early 1950's, he has composed music for all genres. This study, concerned with his choral output, examines a body of literature that spans about forty-five years, highlighting compositional elements that are found within the concert repertoire, particularly those works geared to the collegiate or professional choir. While Kreutz's repertoire certainly is a reflection of many twentieth-century practices, a discussion of a separate body of pre-Vatican II Mass settings shows his deep interest in a Neo-Renaissance manner of composition.
dc.language.isoenen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.titleThe choral compositions of Robert Kreutz: An investigation into the melodic, harmonic, rhythmic and textual elements of this American composer's style.en_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
dc.contributor.chairKnott, Josefen_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.identifier.proquest9432837en_US
thesis.degree.disciplineMusicen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.nameA.Mus.D.en_US
refterms.dateFOA2018-06-27T23:36:12Z
html.description.abstractThe Colorado composer, Robert Kreutz, was born in 1922. Since the early 1950's, he has composed music for all genres. This study, concerned with his choral output, examines a body of literature that spans about forty-five years, highlighting compositional elements that are found within the concert repertoire, particularly those works geared to the collegiate or professional choir. While Kreutz's repertoire certainly is a reflection of many twentieth-century practices, a discussion of a separate body of pre-Vatican II Mass settings shows his deep interest in a Neo-Renaissance manner of composition.


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