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dc.contributor.authorMarsh, Stephanie.
dc.creatorMarsh, Stephanie.en_US
dc.date.accessioned2011-10-31T18:32:12Z
dc.date.available2011-10-31T18:32:12Z
dc.date.issued1995en_US
dc.identifier.urihttp://hdl.handle.net/10150/187187
dc.description.abstractThis document is a study of the musical and literary unity Gabriel Faure applied to the La Bonne chanson, Opus 61 and La Chanson d'Eve, Opus 95. This paper further is an in depth examination of the two versions of La Bonne chanson and how Faure uses the colorful string texture to specifically illustrate thematic material as well as textual themes. The original string quintet version will be analyzed in the voicing of string accompaniment illustrating just how Faure eliminates these unifying themes in each string color juxtaposed with thematic material in the piano accompaniment as well. In the second version, which is piano/vocal, these musical themes are far less distinct to the listener due to the complex thematic texture of the accompaniment.
dc.language.isoenen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.titleGabriel Faure's "La Bonne Chanson", Opus 61 and "La Chanson d'Eve", Opus 95: Musical diversity versus thematic unity.en_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberDay, Larryen_US
dc.identifier.proquest9534692en_US
thesis.degree.disciplineMusicen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.nameD.M.A.en_US
refterms.dateFOA2018-08-16T07:59:43Z
html.description.abstractThis document is a study of the musical and literary unity Gabriel Faure applied to the La Bonne chanson, Opus 61 and La Chanson d'Eve, Opus 95. This paper further is an in depth examination of the two versions of La Bonne chanson and how Faure uses the colorful string texture to specifically illustrate thematic material as well as textual themes. The original string quintet version will be analyzed in the voicing of string accompaniment illustrating just how Faure eliminates these unifying themes in each string color juxtaposed with thematic material in the piano accompaniment as well. In the second version, which is piano/vocal, these musical themes are far less distinct to the listener due to the complex thematic texture of the accompaniment.


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