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dc.contributor.authorWallen, Gail Fern.
dc.creatorWallen, Gail Fern.en_US
dc.date.accessioned2011-10-31T18:41:13Z
dc.date.available2011-10-31T18:41:13Z
dc.date.issued1996en_US
dc.identifier.urihttp://hdl.handle.net/10150/187468
dc.description.abstractEuthanasia is a subject that is fraught with legal, medical and religious overtones. It is a highly charged emotional subject on which the majority of the American public appear to have a definite opinion. Yet, these opinions are not formed in a vacuum and are usually to be found based upon an individual's personal experiences and upbringing; the experiences of friends, acquaintances, or co-workers; and the views and comments heard, seen and read through America's mass media. By studying one specialized form of communication, the popular American magazine between 1896 and 1976, a clearer understanding emerges of the roots of today's euthanasia controversy. The magazines surveyed suggested that the euthanasia argument shifted its emphasis at mid century from the right to choose and its attendant corollaries to the right to die with its corresponding issues. Underlying this shift is the subliminal acknowledgment that America, through an unwritten contract with techno-medicine, has exchanged its self-determination for the promises of biological restructuring and prolongation of human life. Such a contract denies individual freedom to determine the importance of one's quality of life versus quantity of life. Americans since 1976 have been searching for ways to recapture their self-determination in the end-of-life decision making process.
dc.language.isoenen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.titleShades of grey: The euthanasia controversy and the rights of the conscious and rational terminally ill adult patient as seen in popular American magazines, 1896-1976.en_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
dc.contributor.chairDinnerstein, Leonarden_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberSchaller, Michaelen_US
dc.contributor.committeememberNichols, Rogeren_US
dc.identifier.proquest9626492en_US
thesis.degree.disciplineHistoryen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.namePh.D.en_US
refterms.dateFOA2018-09-03T12:41:52Z
html.description.abstractEuthanasia is a subject that is fraught with legal, medical and religious overtones. It is a highly charged emotional subject on which the majority of the American public appear to have a definite opinion. Yet, these opinions are not formed in a vacuum and are usually to be found based upon an individual's personal experiences and upbringing; the experiences of friends, acquaintances, or co-workers; and the views and comments heard, seen and read through America's mass media. By studying one specialized form of communication, the popular American magazine between 1896 and 1976, a clearer understanding emerges of the roots of today's euthanasia controversy. The magazines surveyed suggested that the euthanasia argument shifted its emphasis at mid century from the right to choose and its attendant corollaries to the right to die with its corresponding issues. Underlying this shift is the subliminal acknowledgment that America, through an unwritten contract with techno-medicine, has exchanged its self-determination for the promises of biological restructuring and prolongation of human life. Such a contract denies individual freedom to determine the importance of one's quality of life versus quantity of life. Americans since 1976 have been searching for ways to recapture their self-determination in the end-of-life decision making process.


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