Enter Paranoia: Identity and "Makeshift Salvations" in Kon Satoshi's "Paranoia Agent"
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Author
Hanson, Jeffrey StevenIssue Date
2007Committee Chair
Gabriel, J. PhilipMcVeigh, Brian J.
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The University of Arizona.Rights
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.Abstract
Kon Satoshi's Paranoia Agent is a series that demonstrates how many types of identity are constructed. While some aspects of the series are based in fantasy, Paranoia Agent takes place in a Tokyo that closely resembles the Tokyo of the real world. In particular, a corporate icon named Maromi parallels the rise of icons such as Hello Kitty in Japan; the public's devotion to Maromi demonstrates how consumerism shapes one's personal identity. Consumerism can also be used to explain the existence of Lil' Slugger, a type of phantasm who initially appears to free the people of Tokyo from their problems, but is actually a "crutch" that society uses to run away from reality. The destination of this escape can be called "consumutopia," a virtual space of "perfect consumption" where reality can be ignored. Consumutopia is one example of the - real or metaphorical - "spaces" that are examined in Paranoia Agent.Type
textElectronic Thesis
Degree Name
MADegree Level
mastersDegree Program
East Asian StudiesGraduate College