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dc.contributor.advisorBeudert, Lynnen_US
dc.contributor.authorAllen, Aimee Littlewood
dc.creatorAllen, Aimee Littlewooden_US
dc.date.accessioned2011-12-05T14:12:41Z
dc.date.available2011-12-05T14:12:41Z
dc.date.issued2007en_US
dc.identifier.urihttp://hdl.handle.net/10150/193289
dc.description.abstractThe Hockney - Falco Thesis (THFT) refers to findings published by the artist, David Hockney, and his fellow collaborator, Dr. Charles M. Falco, University of Arizona Professor of Optical Sciences. THFT builds upon Hockney's theories first published in his book, Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters (2001, 2006), by further demonstrating how some Renaissance artists including, van Eyck, Lotto, and Caravaggio, used optics as tools for creating works of art.This arts-based case study reveals that Hockney and Falco's discoveries were significantly informed by their respective practices of art and imaging, and demonstrates why Falco's experiences with Hockney, specifically, has and continues to influence his scientific research practice. These findings support Sullivan's (2004, 2005, 2006) theory of art-practice as research and demonstrate that THFT has significant implications for research and instruction of art and visual culture education.
dc.language.isoENen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectArts-baseden_US
dc.subjectArt Educationen_US
dc.subjectVisual Cultureen_US
dc.subjectInterdisciplinaryen_US
dc.subjectArt Historyen_US
dc.subjectOpticsen_US
dc.titleImaging Spaceland, The Hockney - Falco Thesis: An Arts-based Case Study of Interdisciplinary Inquiryen_US
dc.typetexten_US
dc.typeElectronic Thesisen_US
dc.contributor.chairBeudert, Lynnen_US
dc.identifier.oclc659748440en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.levelmastersen_US
dc.contributor.committeememberGarber, Elizabethen_US
dc.contributor.committeememberSaisan, Jose M.en_US
dc.identifier.proquest2541en_US
thesis.degree.disciplineArt Educationen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.nameMAen_US
refterms.dateFOA2018-07-01T22:23:01Z
html.description.abstractThe Hockney - Falco Thesis (THFT) refers to findings published by the artist, David Hockney, and his fellow collaborator, Dr. Charles M. Falco, University of Arizona Professor of Optical Sciences. THFT builds upon Hockney's theories first published in his book, Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters (2001, 2006), by further demonstrating how some Renaissance artists including, van Eyck, Lotto, and Caravaggio, used optics as tools for creating works of art.This arts-based case study reveals that Hockney and Falco's discoveries were significantly informed by their respective practices of art and imaging, and demonstrates why Falco's experiences with Hockney, specifically, has and continues to influence his scientific research practice. These findings support Sullivan's (2004, 2005, 2006) theory of art-practice as research and demonstrate that THFT has significant implications for research and instruction of art and visual culture education.


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