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    Masculinity in the Works of Neil LaBute

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    Author
    Wright, Amber Michelle
    Issue Date
    2008
    Keywords
    Theatre Arts
    Advisor
    Dickey, Jerry
    Committee Chair
    Dickey, Jerry
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    This study examines men's masculine performance in LaBute's major works and demonstrates how his men oppress themselves and others by trying to live up to the ideals of traditional masculinity. Using the writings of profeminist sociologist Michael Kimmel and other scholars of masculinities, as well as theoretical considerations of Laura Mulvey's gaze theory, the thesis specifically explores the attempts of LaBute's men to repudiate the femininity within themselves through homophobia and the suppression of emotions. Additionally, it examines the sexism that stems from his men's anti-femininity. Overall, the prevalence of such harmful men in LaBute's works and the mostly negative effects of their masculine performance prove that LaBute is critiquing traditional masculinity in order to promote change.
    Type
    text
    Electronic Thesis
    Degree Name
    MA
    Degree Level
    masters
    Degree Program
    Theatre Arts
    Graduate College
    Degree Grantor
    University of Arizona
    Collections
    Master's Theses

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