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    Musical Creation, Reception, and Consumption in a Virtual Place

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    Author
    Silvers, Michael Benjamin
    Issue Date
    2007
    Keywords
    virtual community
    trance music
    social network analysis
    Brazil
    Advisor
    Sturman, Janet L
    Committee Chair
    Sturman, Janet L
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    Technologically mediated listening has changed the way in which music is heard as well as the way in which musical communities are constructed. Communities are no longer necessarily tied to place, and in the case of virtual communities, musicians can create a sense of community and a sense of place through their interactions. Some virtual communities of musicians - specifically those that specialize in electronic music - are ideally situated in cyberspace; what a producer of electronic music hears in his or her headphones when composing music is exactly what the audience hears after downloading or streaming it. The music remains in a digital format from its conception to its reception.In a Brazilian virtual community of electronic musicians called EnergyBR.net, fans, DJs, and producers exchange ideas about music, creating a feedback loop. In EnergyBR.net, this cyber-feedback loop shapes musical creation as well as a sense of place and community.
    Type
    text
    Electronic Thesis
    Degree Name
    MM
    Degree Level
    masters
    Degree Program
    Music
    Graduate College
    Degree Grantor
    University of Arizona
    Collections
    Master's Theses

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