A Portrait of Possibility: Examining the Artist/Educator/Activist as an Alternative Model for Art Educators
| dc.contributor.advisor | Garber, Elizabeth | en_US |
| dc.contributor.author | Campana, Alina M. | |
| dc.creator | Campana, Alina M. | en_US |
| dc.date.accessioned | 2011-12-05T14:19:02Z | |
| dc.date.available | 2011-12-05T14:19:02Z | |
| dc.date.issued | 2008 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10150/193462 | |
| dc.description.abstract | Some art educators working in communities exemplify an alternative to the more common and stereotypical notion of the artist as autonomous, self-focused, and neutral. They view art-making and education as vehicles for social justice, and in some cases for social and political activism. In these broader social functions, the boundaries between art, education and activism fade. Drawing on perspectives from community art education, sociology, art criticism, critical pedagogy, and social justice education, and based on in-depth interviews with participants, this study examines the motivations, perspectives, development, and experiences of five artist/educator/activists who work in community-based settings in Tucson, Arizona. Common characteristics, as well as questions and implications for further research, are presented and discussed. | |
| dc.language.iso | EN | en_US |
| dc.publisher | The University of Arizona. | en_US |
| dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en_US |
| dc.subject | community art education | en_US |
| dc.subject | artist activist | en_US |
| dc.subject | arts and change | en_US |
| dc.subject | art | en_US |
| dc.subject | education | en_US |
| dc.subject | activism | en_US |
| dc.title | A Portrait of Possibility: Examining the Artist/Educator/Activist as an Alternative Model for Art Educators | en_US |
| dc.type | text | en_US |
| dc.type | Electronic Thesis | en_US |
| dc.contributor.chair | Garber, Elizabeth | en_US |
| dc.identifier.oclc | 659749791 | en_US |
| thesis.degree.grantor | University of Arizona | en_US |
| thesis.degree.level | masters | en_US |
| dc.contributor.committeemember | Beudert, Lynn | en_US |
| dc.contributor.committeemember | Shin, Ryan | en_US |
| dc.identifier.proquest | 2757 | en_US |
| thesis.degree.discipline | Art Education | en_US |
| thesis.degree.discipline | Graduate College | en_US |
| thesis.degree.name | MA | en_US |
| refterms.dateFOA | 2018-08-15T15:11:32Z | |
| html.description.abstract | Some art educators working in communities exemplify an alternative to the more common and stereotypical notion of the artist as autonomous, self-focused, and neutral. They view art-making and education as vehicles for social justice, and in some cases for social and political activism. In these broader social functions, the boundaries between art, education and activism fade. Drawing on perspectives from community art education, sociology, art criticism, critical pedagogy, and social justice education, and based on in-depth interviews with participants, this study examines the motivations, perspectives, development, and experiences of five artist/educator/activists who work in community-based settings in Tucson, Arizona. Common characteristics, as well as questions and implications for further research, are presented and discussed. |
