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dc.contributor.advisorRobinson, Fayeen_US
dc.contributor.authorJandura, Tereza
dc.creatorJandura, Terezaen_US
dc.date.accessioned2011-12-05T21:52:10Z
dc.date.available2011-12-05T21:52:10Z
dc.date.issued2009en_US
dc.identifier.urihttp://hdl.handle.net/10150/193524
dc.description.abstractThis paper presents an examination of the art songs of Czech composer Vítězslava Kaprálová (January 24, 1915 - June 16, 1940) through detailed analysis of selected works. Kaprálová created a unique character for each of her art songs, with careful attention to idiomatic declamation and syllable stress, tone-painting in the accompaniments, and the use of primarily "post-impressionistic" stylistic techniques. Most importantly, this study focuses on the fact that her composition was firmly rooted in the text, and that her choice and adaptation of text convey important autobiographical motivation as well as insight into her character and personality.
dc.language.isoENen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectCzech art songen_US
dc.subjectVítězslava Kaprálováen_US
dc.titleHer Own Voice: The Art Songs of Vítězslava Kaprálováen_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.contributor.chairRobinson, Fayeen_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberRoe, Charlesen_US
dc.contributor.committeememberHirst, Graysonen_US
dc.identifier.proquest10749en_US
thesis.degree.disciplineMusicen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.nameD.M.A.en_US
refterms.dateFOA2018-06-26T12:08:04Z
html.description.abstractThis paper presents an examination of the art songs of Czech composer Vítězslava Kaprálová (January 24, 1915 - June 16, 1940) through detailed analysis of selected works. Kaprálová created a unique character for each of her art songs, with careful attention to idiomatic declamation and syllable stress, tone-painting in the accompaniments, and the use of primarily "post-impressionistic" stylistic techniques. Most importantly, this study focuses on the fact that her composition was firmly rooted in the text, and that her choice and adaptation of text convey important autobiographical motivation as well as insight into her character and personality.


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