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dc.contributor.advisorMedine, Peter E.en_US
dc.contributor.authorMathur, Amy Elizabeth
dc.creatorMathur, Amy Elizabethen_US
dc.date.accessioned2011-12-05T22:12:25Z
dc.date.available2011-12-05T22:12:25Z
dc.date.issued2009en_US
dc.identifier.urihttp://hdl.handle.net/10150/193983
dc.description.abstractSince the first attribution of Shakespeare as the author of the anonymous Edward III (1596) in 1656, the play has occupied a shifting status in the canon. Over the past twenty years renewed critical interest in questions of the canonicity of Edward III has led to a wider acceptance of Shakespeare's involvement with the play.This study reviews the canonical problems raised by Edward III and reappraises the play as a dramatic text. Chapter One concentrates on issues of the play's publication, dating, and authorship. Chapter Two examines how the playwright uses literary and chronicle sources to present celebratory images of Edward III and of his son the Black Prince. Chapter Three analyzes the "ancestral influence" of the figures of Edward III and the Black Prince on the titular hero of Shakespeare's Henry V. The Chapter directs attention to Edward III as a pre-text for Henry V. The Conclusion summarizes the study and indicates future lines of inquiry.
dc.language.isoENen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectEdward IIIen_US
dc.subjectHenry Ven_US
dc.subjectShakespeareen_US
dc.titleEdward III: A Study of Canonicity, Sources, and Influenceen_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.contributor.chairMedine, Peter E.en_US
dc.identifier.oclc659753386en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberDahood, Rogeren_US
dc.contributor.committeememberUlreich, Jr., John C.en_US
dc.identifier.proquest10647en_US
thesis.degree.disciplineEnglishen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.namePh.D.en_US
refterms.dateFOA2018-08-14T01:37:43Z
html.description.abstractSince the first attribution of Shakespeare as the author of the anonymous Edward III (1596) in 1656, the play has occupied a shifting status in the canon. Over the past twenty years renewed critical interest in questions of the canonicity of Edward III has led to a wider acceptance of Shakespeare's involvement with the play.This study reviews the canonical problems raised by Edward III and reappraises the play as a dramatic text. Chapter One concentrates on issues of the play's publication, dating, and authorship. Chapter Two examines how the playwright uses literary and chronicle sources to present celebratory images of Edward III and of his son the Black Prince. Chapter Three analyzes the "ancestral influence" of the figures of Edward III and the Black Prince on the titular hero of Shakespeare's Henry V. The Chapter directs attention to Edward III as a pre-text for Henry V. The Conclusion summarizes the study and indicates future lines of inquiry.


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