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dc.contributor.advisorFan, Paulaen_US
dc.contributor.authorPark, Chanwook
dc.creatorPark, Chanwooken_US
dc.date.accessioned2011-12-05T22:26:15Z
dc.date.available2011-12-05T22:26:15Z
dc.date.issued2009en_US
dc.identifier.urihttp://hdl.handle.net/10150/194277
dc.description.abstractThis document provides a resource for Franz Liszt's unfamiliar piano work, the Grosses Konzertsolo and his subsequent rearrangement of the work for two pianos entitled Concerto pathetique. The Introduction places the work in its historical context as a precursor to the great Sonata in B minor and discusses possible reasons for its various revisions. Chapter One details Liszt's productive years from 1849-1853 in Weimar and selected keyboard works from this period which are closely related to the Grosses Konzertsolo. Chapter Two provides information on Liszt's first published piano works and his experiments with form, as well as a comparison of the Grosses Konzertsolo with the Sonata in B minor, in terms of motivic and thematic development. Technical issues and obstacles to performance are also addressed. Chapter Three compares the Concerto pathetique with the Grosses Konzertsolo showing how Liszt's rearrangement becomes more practical as well as effective. Chapter Four discusses Hans von Bulow's version of the Concerto pathetique and includes a brief biography.
dc.language.isoENen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectConcerto pathetiqueen_US
dc.subjectFranz Liszten_US
dc.subjectGrosses Konzertsoloen_US
dc.subjectTwo piano arrangementsen_US
dc.subjectUnfamiliar piano worksen_US
dc.subjectvon Bulowen_US
dc.titleTwo Unfamiliar Works of Franz Liszt (1811-1886): A Comparison of Liszt's Grosses Konzertsolo (1849-1851) and Concerto Pathetique (1856)en_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.contributor.chairFan, Paulaen_US
dc.identifier.oclc752260917en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberZdechlik, Lisaen_US
dc.contributor.committeememberGibson, Tannisen_US
dc.identifier.proquest10480en_US
thesis.degree.disciplineMusicen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.nameD.M.A.en_US
refterms.dateFOA2018-06-29T22:56:03Z
html.description.abstractThis document provides a resource for Franz Liszt's unfamiliar piano work, the Grosses Konzertsolo and his subsequent rearrangement of the work for two pianos entitled Concerto pathetique. The Introduction places the work in its historical context as a precursor to the great Sonata in B minor and discusses possible reasons for its various revisions. Chapter One details Liszt's productive years from 1849-1853 in Weimar and selected keyboard works from this period which are closely related to the Grosses Konzertsolo. Chapter Two provides information on Liszt's first published piano works and his experiments with form, as well as a comparison of the Grosses Konzertsolo with the Sonata in B minor, in terms of motivic and thematic development. Technical issues and obstacles to performance are also addressed. Chapter Three compares the Concerto pathetique with the Grosses Konzertsolo showing how Liszt's rearrangement becomes more practical as well as effective. Chapter Four discusses Hans von Bulow's version of the Concerto pathetique and includes a brief biography.


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