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dc.contributor.authorPerkins, John Douglas
dc.creatorPerkins, John Douglasen_US
dc.date.accessioned2011-12-05T22:28:05Z
dc.date.available2011-12-05T22:28:05Z
dc.date.issued2009en_US
dc.identifier.urihttp://hdl.handle.net/10150/194318
dc.description.abstractPsaume 130, Du fond de l'Abime, by Lili Boulanger, poses a series of problems for conductors. Its large orchestral requirement and thirty-minute performance length severely limit the possibility of programming the work. Having thoroughly studied the composer's other works, I have determined that balance problems in the orchestration need adjustment. Errors exist in the current published edition and warrant correction.For these reasons combined with the assertion, later discussed in this document, that Lili Boulanger may have been asked to make a more practical version of Psaume 130, Du fond de l'Abime in order to promote sales of her music, an orchestral reduction is a viable solution. In addition, she died before the premier of the work and may have re-orchestrated certain passages upon hearing it.The methodology for this process of editing and rescoring includes:1) comparison of the manuscript with the published edition, 2) analysis, which includes tonal, motivic, and structural aspects of the work, 3) analysis of Boulanger's orchestral technique, and 4) an interview with conductor Mark Stringer.I will demonstrate that Lili Boulanger's Psaume 130, Du fond de l'Abime can be arranged for reduced forces while preserving its essential elements. This version will be more accessible for professional, college, community and church choirs, and orchestras.
dc.language.isoENen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectBoulangeren_US
dc.subjectChoralen_US
dc.subjectFrenchen_US
dc.subjectLilien_US
dc.subjectOrchestrationen_US
dc.subjectPsalm 130en_US
dc.titleAn Analysis and Orchestral Reduction of Psaume 130 (Du fond de l’Abime), by Lili Boulangeren_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.contributor.chairChamberlain, Bruceen_US
dc.identifier.oclc752259923en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberChamberlain, Bruceen_US
dc.contributor.committeememberSchauer, Elizabethen_US
dc.contributor.committeememberHanson, Greggen_US
dc.identifier.proquest10247en_US
thesis.degree.disciplineMusicen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.nameD.M.A.en_US
refterms.dateFOA2018-08-14T02:15:11Z
html.description.abstractPsaume 130, Du fond de l'Abime, by Lili Boulanger, poses a series of problems for conductors. Its large orchestral requirement and thirty-minute performance length severely limit the possibility of programming the work. Having thoroughly studied the composer's other works, I have determined that balance problems in the orchestration need adjustment. Errors exist in the current published edition and warrant correction.For these reasons combined with the assertion, later discussed in this document, that Lili Boulanger may have been asked to make a more practical version of Psaume 130, Du fond de l'Abime in order to promote sales of her music, an orchestral reduction is a viable solution. In addition, she died before the premier of the work and may have re-orchestrated certain passages upon hearing it.The methodology for this process of editing and rescoring includes:1) comparison of the manuscript with the published edition, 2) analysis, which includes tonal, motivic, and structural aspects of the work, 3) analysis of Boulanger's orchestral technique, and 4) an interview with conductor Mark Stringer.I will demonstrate that Lili Boulanger's Psaume 130, Du fond de l'Abime can be arranged for reduced forces while preserving its essential elements. This version will be more accessible for professional, college, community and church choirs, and orchestras.


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