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dc.contributor.advisorFitch, Melissa A.en_US
dc.contributor.authorRangel, Liz Consuelo*
dc.creatorRangel, Liz Consueloen_US
dc.date.accessioned2011-12-05T22:32:56Z
dc.date.available2011-12-05T22:32:56Z
dc.date.issued2009en_US
dc.identifier.urihttp://hdl.handle.net/10150/194421
dc.description.abstractThis study analyzes the relationship between the access to capital and the individual's construction of gender as presented in six Latin American cinematic depictions from Argentina, Brazil and Mexico that focus the point of view on young women in the urban space. David Harvey's theory on the urbanization of consciousness is used to analyze the females' relationship to family, class, community and state in terms of how each of these elements will impact the access to capital. The interaction with these factors determine that capital will also impact the construction of gender in the city-space. The films analyzed are as follows: Perfume de Violetas (2000) directed by Maryse Sistach, Àngel de fuego (1991) directed by Dana Rotberg Un día de suerte (2002) directed by Sandra Gugliotta, Hoy y mañana (2006) by Alejandro Chomsky, Uma Vida em Segredo (2001) by Suzana Amaral and Antônia (2006), by Tata Amaral. Film theory, feminist film theory, and gender studies are applied in the analysis of films.
dc.language.isoENen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectfeminist filmmakingen_US
dc.subjectgender studiesen_US
dc.subjectlatin american filmen_US
dc.subjectUrbanization of Consciousnessen_US
dc.titleGender in the City: The Intersection of Capital and Gender Consciousness in Latin American Cinemaen_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.contributor.chairFitch, Melissa A.en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberGutierrez, Lauraen_US
dc.contributor.committeememberCompitello, Malcolm A.en_US
dc.identifier.proquest10496en_US
thesis.degree.disciplineSpanishen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.namePh.D.en_US
refterms.dateFOA2018-06-19T01:24:15Z
html.description.abstractThis study analyzes the relationship between the access to capital and the individual's construction of gender as presented in six Latin American cinematic depictions from Argentina, Brazil and Mexico that focus the point of view on young women in the urban space. David Harvey's theory on the urbanization of consciousness is used to analyze the females' relationship to family, class, community and state in terms of how each of these elements will impact the access to capital. The interaction with these factors determine that capital will also impact the construction of gender in the city-space. The films analyzed are as follows: Perfume de Violetas (2000) directed by Maryse Sistach, Àngel de fuego (1991) directed by Dana Rotberg Un día de suerte (2002) directed by Sandra Gugliotta, Hoy y mañana (2006) by Alejandro Chomsky, Uma Vida em Segredo (2001) by Suzana Amaral and Antônia (2006), by Tata Amaral. Film theory, feminist film theory, and gender studies are applied in the analysis of films.


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