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dc.contributor.advisorWashburn, Frances Aen_US
dc.contributor.authorStratton, Billy J*
dc.creatorStratton, Billy Jen_US
dc.date.accessioned2011-12-06T13:28:40Z
dc.date.available2011-12-06T13:28:40Z
dc.date.issued2008en_US
dc.identifier.urihttp://hdl.handle.net/10150/194863
dc.description.abstractSince the publication of Mary Rowlandson's, The Soveraignty and Goodness of God . . ., released six years after the close of King Philip's War and the death of the Pokanoket leader, Metacomet, in 1682, the Indian captivity narrative has operated as a widely influential component of American literary, historical, and cultural discourse. From the seventeenth century to the present, the metaphors, symbols, and the implicit ideologies of this literary genre have had a powerful and enduring influence on the public's perception of American Indian people, and the development of an expansionist American ideology. As a result, the operant binary of the bloodthirsty "savage" and the "civilized" Euro-American has become a common feature of discourses in which American Indian people have been, and continue to be, represented in American historiography, literature, art, film, and popular culture, while also serving as a primary textual justification for the territorial expansion of the United States, and as an implicit justification and historical alibi for the concomitant destruction of American Indian societies and cultures.In this work, my aim is to deconstruct and demystify the regime of literary and historical privilege that has become an explicit function of Rowlandson's text and subsequent narratives by presenting a critical perspective that is responsive to the complex array of social, cultural, and historical forces that were converging in the Massachusetts colony during the late seventeenth century. In so doing, I have attempted to present the "Indian side" of the story and examine the events that Rowlandson describes in her narrative from the perspective of Indian people who have been all too often silenced in American historical and literary discourses. I have addressed and attempted to answer some of the nagging questions surrounding the original publication and dissemination of Rowlandson's work in order to shed some much needed light on the complex cultural and social processes at work in Puritan society during the seventeenth century, while illustrating how texts such as Rowlandson's continues to shape our perceptions of others and our own conceptions of historical reality.
dc.language.isoENen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectMetacometen_US
dc.subjectMary Rowlandsonen_US
dc.subjectIndian Captivity Narrativesen_US
dc.subjectWampanaog Historyen_US
dc.subjectPuritan New England Historyen_US
dc.subjectKing Philip's Waren_US
dc.title(Re)inscribing King Philip's War: Mary Rowlandson and the Advent of the Indian Captivity Narrative.en_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.contributor.chairWashburn, Frances Aen_US
dc.identifier.oclc659750542en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberBabcock, Barbara A.en_US
dc.contributor.committeememberHolm, Thomas M.en_US
dc.contributor.committeememberBerkhout, Carl T.en_US
dc.description.releaseNot Availableen_US
dc.identifier.proquest2874en_US
thesis.degree.disciplineAmerican Indian Studiesen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.namePhDen_US
refterms.dateFOA2018-06-05T20:39:44Z
html.description.abstractSince the publication of Mary Rowlandson's, The Soveraignty and Goodness of God . . ., released six years after the close of King Philip's War and the death of the Pokanoket leader, Metacomet, in 1682, the Indian captivity narrative has operated as a widely influential component of American literary, historical, and cultural discourse. From the seventeenth century to the present, the metaphors, symbols, and the implicit ideologies of this literary genre have had a powerful and enduring influence on the public's perception of American Indian people, and the development of an expansionist American ideology. As a result, the operant binary of the bloodthirsty "savage" and the "civilized" Euro-American has become a common feature of discourses in which American Indian people have been, and continue to be, represented in American historiography, literature, art, film, and popular culture, while also serving as a primary textual justification for the territorial expansion of the United States, and as an implicit justification and historical alibi for the concomitant destruction of American Indian societies and cultures.In this work, my aim is to deconstruct and demystify the regime of literary and historical privilege that has become an explicit function of Rowlandson's text and subsequent narratives by presenting a critical perspective that is responsive to the complex array of social, cultural, and historical forces that were converging in the Massachusetts colony during the late seventeenth century. In so doing, I have attempted to present the "Indian side" of the story and examine the events that Rowlandson describes in her narrative from the perspective of Indian people who have been all too often silenced in American historical and literary discourses. I have addressed and attempted to answer some of the nagging questions surrounding the original publication and dissemination of Rowlandson's work in order to shed some much needed light on the complex cultural and social processes at work in Puritan society during the seventeenth century, while illustrating how texts such as Rowlandson's continues to shape our perceptions of others and our own conceptions of historical reality.


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