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dc.contributor.advisorAsia, Danielen_US
dc.contributor.authorThompson, Jackie Gill, II
dc.creatorThompson, Jackie Gill, IIen_US
dc.date.accessioned2011-12-06T13:31:49Z
dc.date.available2011-12-06T13:31:49Z
dc.date.issued2010en_US
dc.identifier.urihttp://hdl.handle.net/10150/194954
dc.description.abstractSymphony No. 1, "fall with me" is a five-movement work--approximately thirty-five minutes in duration--that explores intramusical thematic relationships through the use of cyclic themes, reminiscence motives, and an adapted version of Igor Stravinsky's "poles of attraction" concept. This is accomplished through a focus on three main musical ideas that form the basis for the entire work, as well as through the utilization of altered traditional forms in each of the movements.The instrumental forces called for in the work are as follows:Winds 3.3.3.3 / Brass 4.3.3.1 / Timp. + 3 perc. / Piano (dbl. Cel.) / Harp / Strings
dc.language.isoENen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectArizonaen_US
dc.subjectCompositionen_US
dc.subjectMusicen_US
dc.subjectSymphonyen_US
dc.titleSymphony No. 1, "fall with me"en_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.contributor.chairAsia, Danielen_US
dc.identifier.oclc659754880en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberWalsh, Craigen_US
dc.contributor.committeememberDecker, Pamelaen_US
dc.identifier.proquest10958en_US
thesis.degree.disciplineMusicen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.nameD.M.A.en_US
refterms.dateFOA2018-09-03T19:26:06Z
html.description.abstractSymphony No. 1, "fall with me" is a five-movement work--approximately thirty-five minutes in duration--that explores intramusical thematic relationships through the use of cyclic themes, reminiscence motives, and an adapted version of Igor Stravinsky's "poles of attraction" concept. This is accomplished through a focus on three main musical ideas that form the basis for the entire work, as well as through the utilization of altered traditional forms in each of the movements.The instrumental forces called for in the work are as follows:Winds 3.3.3.3 / Brass 4.3.3.1 / Timp. + 3 perc. / Piano (dbl. Cel.) / Harp / Strings


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