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dc.contributor.authorCamp, Douglas Wayne
dc.creatorCamp, Douglas Wayneen_US
dc.date.accessioned2011-12-06T13:49:25Z
dc.date.available2011-12-06T13:49:25Z
dc.date.issued2007en_US
dc.identifier.urihttp://hdl.handle.net/10150/195369
dc.description.abstractThis document will examine how Schubert's songs can be used to increase the existing bass trombone solo literature. The primary focus is on the process of selecting, organizing, and arranging songs for the purpose of creating an original instrumental performance edition. The document will discuss elements that influence individual song selection, compositional attributes of the music, the drama represented through the text, and the boundaries these expressive components impose on the arranging process. The arranging process is discussed for nine individual songs including compositional elements which might influence the ordering of songs in a specific performance. A brief historic discussion overviews the role of the bass trombone in early nineteenth-century classical music, Schubert's life in regards to his contribution to song literature, and the influence of politics and economics during Schubert's life. An extensive Appendices contains a recommended list of Schubert lieder recordings, detailed text translations, bass trombone solo parts and full piano scores for all nine songs arranged for this document.
dc.language.isoENen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectBass Trombone: Schubert Songs: Arrangeden_US
dc.titleThe Preparation and Performance of Selected Schubert Songs for Bass Trombone and Pianoen_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
dc.contributor.chairErvin, Tomen_US
dc.identifier.oclc659747176en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberThomas, Kellyen_US
dc.contributor.committeememberReid, Eden_US
dc.identifier.proquest2064en_US
thesis.degree.disciplineMusicen_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.nameDMAen_US
refterms.dateFOA2018-04-26T23:14:20Z
html.description.abstractThis document will examine how Schubert's songs can be used to increase the existing bass trombone solo literature. The primary focus is on the process of selecting, organizing, and arranging songs for the purpose of creating an original instrumental performance edition. The document will discuss elements that influence individual song selection, compositional attributes of the music, the drama represented through the text, and the boundaries these expressive components impose on the arranging process. The arranging process is discussed for nine individual songs including compositional elements which might influence the ordering of songs in a specific performance. A brief historic discussion overviews the role of the bass trombone in early nineteenth-century classical music, Schubert's life in regards to his contribution to song literature, and the influence of politics and economics during Schubert's life. An extensive Appendices contains a recommended list of Schubert lieder recordings, detailed text translations, bass trombone solo parts and full piano scores for all nine songs arranged for this document.


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