• Login
    View Item 
    •   Home
    • UA Graduate and Undergraduate Research
    • UA Theses and Dissertations
    • Dissertations
    • View Item
    •   Home
    • UA Graduate and Undergraduate Research
    • UA Theses and Dissertations
    • Dissertations
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Browse

    All of UA Campus RepositoryCommunitiesTitleAuthorsIssue DateSubmit DateSubjectsPublisherJournalThis CollectionTitleAuthorsIssue DateSubmit DateSubjectsPublisherJournal

    My Account

    LoginRegister

    About

    AboutUA Faculty PublicationsUA DissertationsUA Master's ThesesUA Honors ThesesUA PressUA YearbooksUA CatalogsUA Libraries

    Statistics

    Most Popular ItemsStatistics by CountryMost Popular Authors

    Art and Spirituality: The Ijumu Northeastern-Yoruba Egungun

    • CSV
    • RefMan
    • EndNote
    • BibTex
    • RefWorks
    Thumbnail
    Name:
    azu_etd_1372_sip1_m.pdf
    Size:
    8.338Mb
    Format:
    PDF
    Description:
    azu_etd_1372_sip1_m.pdf
    Download
    Author
    Famule, Olawole Francis
    Issue Date
    2005
    Keywords
    African art and spirituality
    Yoruba Egungun
    Advisor
    Ivey, Paul E.
    Committee Chair
    Ivey, Paul E.
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    African art and spirituality are inseparable. Looking at it specifically from the visible, concrete, or tangible standpoint, the latter is nonexistent without the former, as the presence of the former validates the reality of the latter. The origin of this symbiotic relationship is in the Africans' ideology, in which they find it more convenient to establish communication with the transcendent or supernatural realm through visible devices that we label 'art'. Using the Ijumu Northeastern-Yoruba Egungun as a case study, this dissertation analyzes the place of art in African spirituality. Applying two conceptual frameworks--connective theory and linguistic approach, the dissertation first depicts this art as a reflection of African culture. Secondly, it reveals African art as essentially an assemblage or composite of diverse culturally defined and meaningful materials. Finally, it portrays art as a reliable form of historical and iconographical record of the African culture.In all, the dissertation comprises eight chapters. Chapter one introduces the reader to the research rationales, objectives, theory and methodology, and relevant previous studies. Chapter two concerns the place of art in Yoruba religious beliefs and practices within the larger context of African art and culture. Chapter three illustrates the inter-group relations in the Niger-Benue confluence region--the geographical location of the Ijumu Northeastern-Yoruba. Chapter four provides an overview of the cultural practices of the Ijumu people of the Ookun Yoruba-speaking groups. Chapter five focuses on the spirituality and performance contexts and the devotees' conceptualization of the Egungun as a religion.Chapter six is about iconographical interpretations of Egungun. Chapter seven illustrates the aesthetic implications with attention paid to the masquerade costumes as well as the performance contexts of the masquerades or masqueraders, drummers, singers, and more importantly, the aftermath of the ritual festival. Chapter eight is about critical perspectives on Ijumu-Yoruba Egungun within the larger context of the tradition among the entire Yoruba peoples. It highlights critical issues affecting the Egungun tradition today and the relevance of this dissertation to arresting their loss.
    Type
    text
    Electronic Dissertation
    Degree Name
    PhD
    Degree Level
    doctoral
    Degree Program
    History & Theory of Art
    Graduate College
    Degree Grantor
    University of Arizona
    Collections
    Dissertations

    entitlement

     
    The University of Arizona Libraries | 1510 E. University Blvd. | Tucson, AZ 85721-0055
    Tel 520-621-6442 | repository@u.library.arizona.edu
    DSpace software copyright © 2002-2017  DuraSpace
    Quick Guide | Contact Us | Send Feedback
    Open Repository is a service operated by 
    Atmire NV
     

    Export search results

    The export option will allow you to export the current search results of the entered query to a file. Different formats are available for download. To export the items, click on the button corresponding with the preferred download format.

    By default, clicking on the export buttons will result in a download of the allowed maximum amount of items.

    To select a subset of the search results, click "Selective Export" button and make a selection of the items you want to export. The amount of items that can be exported at once is similarly restricted as the full export.

    After making a selection, click one of the export format buttons. The amount of items that will be exported is indicated in the bubble next to export format.