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    En el Vórtice cel Huracán. Reescrituras Oblicuas del Caribe Hispano en los Discursos Literarios de Virgilio Piñera y Aída Cartagena Portalatín

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    Author
    Fernández, Morbila
    Issue Date
    2010
    Keywords
    Aida Cartagena
    Caribbean Studies
    Comparative literature
    Electra Garrigo
    Escalera para Electra
    Virgilio Pinera
    Committee Chair
    Rivero, Eliana
    
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    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    An oblique reading of the European canon constitutes the discursive center for present day Caribbean literature. In doing this, authors question Eurocentric representational codes of Caribbean identity while they create their own discourses in "a certain way", that is, from a certain perspective and by means of hybrid appropriation and synchretization of the very models that feed their imagination. As this analysis purports to show, writers Virgilio Piñera (Cuba) and Aída Cartagena Portalatín (Dominican Republic), by their rereading of the canon, establish in their works hybrid dialogs between the European There and the Caribbean Here. In that line, among the canonical cultural signifiers that the authors adopt, they privilege the appropriation of Greek myths. Piñera does this in his theater piece Electra Garrigó, and Cartagena in her novel Escalera para Electra. In Piñera's work, the main devices utilized are humor, irony, and parody of the text by Euripides, obtained by the used of "choteo", a particular brand of Cuban parodic humor in the manner of Bakhtin's carnavalization. This technique is employed along with the use of heteroglossia, which is utilized by Cartagena as well in her novel. In her work, the Dominican author constructs a parallel and intertextual reading of the same play by the Greek dramatist from the positionality of a female subject. Although with different strategies and in different literary genres, Piñera and Cartagena structure their literary discourses with themes that reflect their cultural identities from the synchretism of difference and from the perspective of a Caribbean subject. This dissertation confirms the efficacy of the discursive strategies they utilize on taking the female subject and the family as the axis of their contesting, unofficial readings of the history and cultural identity of the Caribbean.
    Type
    text
    Electronic Dissertation
    Degree Name
    Ph.D.
    Degree Level
    doctoral
    Degree Program
    Spanish
    Graduate College
    Degree Grantor
    University of Arizona
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