Caribbean and African Musical Influences in Classical Chamber Works with Clarinet by Paquito D'Rivera
Author
Lopez, David FranciscoIssue Date
2011Advisor
Kirkbride, Jerry
Metadata
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The University of Arizona.Rights
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.Abstract
This study focuses on Paquito D'Rivera's use of musical idioms that originate from Caribbean and African sources. More specifically the compositions discussed in this study are Aires Tropicales for Woodwind Quintet, Wapango for Woodwind Quintet, Danzon for Piano Trio, and Preludio y Merengue for Piano Trio.Included is a brief biography that provides insight into Paquito D'Rivera's early development and musical accomplishments. In order to provide a musical context to better illustrate the origins of some of the influences found in D'Rivera's compositions, a brief history and description of various forms of popular music from the Caribbean are included. Finally, an analysis of the works are integrated with quotes from the transcription of my interview with the composer.Type
textElectronic Dissertation
Degree Name
D.M.A.Degree Level
doctoralDegree Program
Graduate CollegeMusic