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    The Temporary Nature of Health: The Humoral Body in Early Modern Drama

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    Author
    Headley, Cynthia Marie
    Issue Date
    2012
    Keywords
    medicine
    Renaissance
    Shakespeare
    travel accounts
    English
    Christianity
    drama
    Advisor
    Ulreich, John
    
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    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Embargo
    Dissertation Not Available (per Author's Request) / University of Arizona affiliates can find this item in the ProQuest Dissertations and Theses Full-text Database
    Abstract
    The Temporary Nature of Health: The Humoral Body in Early Modern Drama explores the ways in which drama, political theory, and travel accounts deploy metaphors and practices generated by the humoral body to provide an account for living in a postlapsarian world. This project's interdisciplinary approach builds on the work of Gail Paster and Valerie Traub and analyzes the ways in which understandings of the body both inflect and are inflected by culture. Chapter one, "'Letting' Blood: The Impossibility of Social Health and Stability in Shakespeare and Cary," focuses on metonyms and metaphors of blood, using both Richard II and Elizabeth Cary's The Tragedy of Mariam. Both plays challenge the notion that blood as bloodline metonymically means character fitness and the ability to rule. Chapter two, "The Failure of Authority: Medical Practitioners and Heads of State in The Winter's Tale, All's Well that Ends Well, and Measure for Measure," argues that these plays' central characters fail as healers in their attempts to find balance and stability for others, usually through the comedic conventional ending of marriage. Chapter three, "Pastoral's Temporary Healing: Elizabethan-Jacobean Comedies, Tragicomedies, and Travel Accounts," uses pastoral dramas such as Mary Wroth's Love's Victorie, John Fletcher's The Faithful Shepherdess, and Shakespeare's As You Like It, as well as travel accounts such as Walter Ralegh's A Discourse Concerning Western Planting. This chapter examines the relationship among pastoral drama, humoral understanding of the body, and travel accounts.
    Type
    text
    Electronic Dissertation
    Degree Name
    Ph.D.
    Degree Level
    doctoral
    Degree Program
    Graduate College
    English
    Degree Grantor
    University of Arizona
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