Pleiades Visions for Organ Solo: A Composition Supported by Documented Research
dc.contributor.advisor | Decker, Pamela | en_US |
dc.contributor.author | Whitehouse, Matthew Robert | |
dc.creator | Whitehouse, Matthew Robert | en_US |
dc.date.accessioned | 2013-01-14T20:32:07Z | |
dc.date.available | 2013-01-14T20:32:07Z | |
dc.date.issued | 2012 | |
dc.identifier.uri | http://hdl.handle.net/10150/265366 | |
dc.description.abstract | Pleiades Visions is a three-movement work for organ solo inspired by indigenous music and mythology associated with the Pleiades (Seven Sisters) star cluster. Three cultural groups are represented in Pleiades Visions. The first movement, entitled "Uluru," draws from Australian Aboriginal music and mythology. The second movement, entitled "...life on other worlds," is based loosely on a Quechan (Yuman) Indian song. The concluding movement, entitled "Mauna Kea," is inspired by the opening lines of the Kumulipo, a creation chant of the Native Hawaiian culture. The source material for Pleiades Visions was identified through research incorporating techniques from the fields of cultural astronomy and ethnomusicology. This research represents a new line of inquiry for both fields. This document situates Pleiades Visions in the context of the organ literature, and suggests that Pleiades Visions might be the first organ work with a cultural astronomy inspiration. It also describes the research undergirding Pleiades Visions, demonstrates the manner in which that research informed the composition of the work, and addresses issues surrounding the use of indigenous source material in a culturally sensitive manner. | |
dc.language.iso | en | en_US |
dc.publisher | The University of Arizona. | en_US |
dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en_US |
dc.subject | cultural astronomy | en_US |
dc.subject | ethnoastronomy | en_US |
dc.subject | organ | en_US |
dc.subject | Pleiades | en_US |
dc.subject | Music | en_US |
dc.subject | astronomy | en_US |
dc.subject | composition | en_US |
dc.title | Pleiades Visions for Organ Solo: A Composition Supported by Documented Research | en_US |
dc.type | text | en_US |
dc.type | Electronic Dissertation | en_US |
thesis.degree.grantor | University of Arizona | en_US |
thesis.degree.level | doctoral | en_US |
dc.contributor.committeemember | Brobeck, John | en_US |
dc.contributor.committeemember | Holbrook, Jarita | en_US |
dc.contributor.committeemember | Walsh, Craig | en_US |
dc.contributor.committeemember | Decker, Pamela | en_US |
thesis.degree.discipline | Graduate College | en_US |
thesis.degree.discipline | Music | en_US |
thesis.degree.name | D.M.A. | en_US |
refterms.dateFOA | 2018-06-12T23:17:17Z | |
html.description.abstract | Pleiades Visions is a three-movement work for organ solo inspired by indigenous music and mythology associated with the Pleiades (Seven Sisters) star cluster. Three cultural groups are represented in Pleiades Visions. The first movement, entitled "Uluru," draws from Australian Aboriginal music and mythology. The second movement, entitled "...life on other worlds," is based loosely on a Quechan (Yuman) Indian song. The concluding movement, entitled "Mauna Kea," is inspired by the opening lines of the Kumulipo, a creation chant of the Native Hawaiian culture. The source material for Pleiades Visions was identified through research incorporating techniques from the fields of cultural astronomy and ethnomusicology. This research represents a new line of inquiry for both fields. This document situates Pleiades Visions in the context of the organ literature, and suggests that Pleiades Visions might be the first organ work with a cultural astronomy inspiration. It also describes the research undergirding Pleiades Visions, demonstrates the manner in which that research informed the composition of the work, and addresses issues surrounding the use of indigenous source material in a culturally sensitive manner. |