Lenses of Indigenous Feminism: Digging Up the Roots of Western Patriarchy in Perma Red and Monkey Beach
dc.contributor.advisor | Washburn, Frances | en_US |
dc.contributor.author | CampBell, Pamela K. | |
dc.creator | CampBell, Pamela K. | en_US |
dc.date.accessioned | 2013-01-15T17:35:21Z | en |
dc.date.available | 2013-01-15T17:35:21Z | en |
dc.date.issued | 2012 | en |
dc.identifier.uri | http://hdl.handle.net/10150/265552 | en |
dc.description.abstract | Western patriarchy has become deeply ingrained in Indigenous Nations. Patriarchal ideology takes many harmful forms in Indigenous communities, most notably sexism, misogyny, family violence, and violence against women. Indigenous feminists are identifying and resisting patriarchy in Indigenous communities. However, Western patriarchy is so deeply rooted that many people believe it has always been there. Additionally, several Indigenous people resist all forms of feminism, believing the word "feminist" is synonymous with "white," and therefore suspicious. In order to increase trust in Indigenous feminisms, it must be proved that Indigenous feminist theories stand up to scrutiny. The characters in Debra Earling's Perma Red and Eden Robinson's Monkey Beach, particularly the protagonists Louise White Elk and Lisa Hill, are negatively affected by Western patriarchal ideology in their communities. By examining these texts through Indigenous feminist lenses, my thesis seeks to prove that Indigenous feminisms are viable additions to Indigenous Studies. | |
dc.language.iso | en | en_US |
dc.publisher | The University of Arizona. | en_US |
dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en_US |
dc.subject | Native | en_US |
dc.subject | Patriarchy | en_US |
dc.subject | Violence | en_US |
dc.subject | American Indian Studies | en_US |
dc.subject | Feminism | en_US |
dc.subject | Indigenous | en_US |
dc.title | Lenses of Indigenous Feminism: Digging Up the Roots of Western Patriarchy in Perma Red and Monkey Beach | en_US |
dc.type | text | en_US |
dc.type | Electronic Thesis | en_US |
thesis.degree.grantor | University of Arizona | en_US |
thesis.degree.level | masters | en_US |
dc.contributor.committeemember | Fatzinger, Amy | en_US |
dc.contributor.committeemember | Fox, Mary Jo | en_US |
thesis.degree.discipline | Graduate College | en_US |
thesis.degree.discipline | American Indian Studies | en_US |
thesis.degree.name | M.A. | en_US |
refterms.dateFOA | 2018-08-27T00:32:39Z | |
html.description.abstract | Western patriarchy has become deeply ingrained in Indigenous Nations. Patriarchal ideology takes many harmful forms in Indigenous communities, most notably sexism, misogyny, family violence, and violence against women. Indigenous feminists are identifying and resisting patriarchy in Indigenous communities. However, Western patriarchy is so deeply rooted that many people believe it has always been there. Additionally, several Indigenous people resist all forms of feminism, believing the word "feminist" is synonymous with "white," and therefore suspicious. In order to increase trust in Indigenous feminisms, it must be proved that Indigenous feminist theories stand up to scrutiny. The characters in Debra Earling's Perma Red and Eden Robinson's Monkey Beach, particularly the protagonists Louise White Elk and Lisa Hill, are negatively affected by Western patriarchal ideology in their communities. By examining these texts through Indigenous feminist lenses, my thesis seeks to prove that Indigenous feminisms are viable additions to Indigenous Studies. |