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dc.contributor.advisorPatterson, Thomas R.en_US
dc.contributor.authorRosvoll, Lars
dc.creatorRosvoll, Larsen_US
dc.date.accessioned2013-02-05T20:48:51Z
dc.date.available2013-02-05T20:48:51Z
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/10150/268374
dc.description.abstractThis study examines select early works for the guitar by Fernando Sor (1778-1839). The works are discussed in some detail in terms of texture, use of idiomatic techniques and form in order to obtain a better understanding of Sor's early compositional practice and early style of playing the guitar. One of the central goals of the study is to trace and analyze the various revisions Sor made to a specific work, the El Mérito (ca. 1803), before publishing it as the Grande Sonate (1825) some twenty years later, and by doing so, also to shed light on Sor's development as both composer and performer during the relatively long time span between the completion of El Mérito and the publication of the Grande Sonate.
dc.language.isoenen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectMusicen_US
dc.subjectClassical Guitaren_US
dc.subjectFernando Soren_US
dc.titleFernando Sor's Evolution as a Performer and Composer as Reflected in the Revisions of the Grande Sonate, Op. 22en_US
dc.typetexten_US
dc.typeElectronic Dissertationen_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberMcLaughlin, Carrolen_US
dc.contributor.committeememberPomeroy, Boyden_US
dc.contributor.committeememberPatterson, Thomas R.en_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusicen_US
thesis.degree.nameD.M.A.en_US
refterms.dateFOA2018-08-27T01:14:54Z
html.description.abstractThis study examines select early works for the guitar by Fernando Sor (1778-1839). The works are discussed in some detail in terms of texture, use of idiomatic techniques and form in order to obtain a better understanding of Sor's early compositional practice and early style of playing the guitar. One of the central goals of the study is to trace and analyze the various revisions Sor made to a specific work, the El Mérito (ca. 1803), before publishing it as the Grande Sonate (1825) some twenty years later, and by doing so, also to shed light on Sor's development as both composer and performer during the relatively long time span between the completion of El Mérito and the publication of the Grande Sonate.


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