This pageant which is not won: The Rabin Ahau, Maya women, and the Guatemalan nation
| dc.contributor.author | McAllister, Carlota Pierce, 1969- | |
| dc.creator | McAllister, Carlota Pierce, 1969- | en_US |
| dc.date.accessioned | 2013-04-03T13:24:24Z | |
| dc.date.available | 2013-04-03T13:24:24Z | |
| dc.date.issued | 1994 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10150/278431 | |
| dc.description.abstract | The "Rabin Ahau," Daughter of the King in Q'eqchi, is elected annually in a pageant in Coban, Guatemala to represent indigenous women before the Guatemalan nation. Although the contest takes the form of a beauty pageant, the criterion on which the candidates are judged is their authenticity as Maya women; their authenticity, in turn, guarentees Guatemala's distinctiveness in the international community of nations. This thesis explores what signifying authenticity requires of would-be Rabin Ahaus, when being Maya at all in Guatemala has historically been life-threatening. It links the aestheticization of Indianness to the ethnocidal racism which literally erases Maya bodies from the national territory, and examines how Guatemalan nationalist discourse uses mimesis and commodification of "the Indian" to create and control an Indian essence; it indicates, also, how the participants in the contest work mimetic excess to triangulate official authenticity and assert different meanings of the Maya. | |
| dc.language.iso | en_US | en_US |
| dc.publisher | The University of Arizona. | en_US |
| dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en_US |
| dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | |
| dc.subject | Anthropology, Cultural. | en_US |
| dc.title | This pageant which is not won: The Rabin Ahau, Maya women, and the Guatemalan nation | en_US |
| dc.type | text | en_US |
| dc.type | Thesis-Reproduction (electronic) | en_US |
| thesis.degree.grantor | University of Arizona | en_US |
| thesis.degree.level | masters | en_US |
| dc.identifier.proquest | 1358097 | en_US |
| thesis.degree.discipline | Graduate College | en_US |
| thesis.degree.discipline | Anthropology | en_US |
| thesis.degree.name | M.A. | en_US |
| dc.identifier.bibrecord | .b32002907 | en_US |
| refterms.dateFOA | 2018-07-15T00:49:55Z | |
| html.description.abstract | The "Rabin Ahau," Daughter of the King in Q'eqchi, is elected annually in a pageant in Coban, Guatemala to represent indigenous women before the Guatemalan nation. Although the contest takes the form of a beauty pageant, the criterion on which the candidates are judged is their authenticity as Maya women; their authenticity, in turn, guarentees Guatemala's distinctiveness in the international community of nations. This thesis explores what signifying authenticity requires of would-be Rabin Ahaus, when being Maya at all in Guatemala has historically been life-threatening. It links the aestheticization of Indianness to the ethnocidal racism which literally erases Maya bodies from the national territory, and examines how Guatemalan nationalist discourse uses mimesis and commodification of "the Indian" to create and control an Indian essence; it indicates, also, how the participants in the contest work mimetic excess to triangulate official authenticity and assert different meanings of the Maya. |
