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dc.contributor.advisorGimello, Robert M.en_US
dc.contributor.authorWang, Huei-hsin
dc.creatorWang, Huei-hsinen_US
dc.date.accessioned2013-04-11T08:39:23Z
dc.date.available2013-04-11T08:39:23Z
dc.date.issued2001en_US
dc.identifier.urihttp://hdl.handle.net/10150/279913
dc.description.abstractThis study is an analysis of Zhiyi's interpretation of the concept of "dhyana" in his Shi chanboluomi cidi famen (An Exposition of Methods to Achieve the Stages of Meditative Perfection, hereafter, The Stages of Meditative Perfection). In the studies of Chinese Buddhism, dhyana , translated into Chinese "chan," is commonly associated with the Chan school (Chan zong ) developed in China in the seventh and the eighth century. In Zhiyi's The Stages of Meditative Perfection, however, dhyana is generally understood as the Four Dhyanas. In the "Four Dhyanas" chapter of The Stages of Meditative Perfection, Zhiyi specifically defines dhyana as "zhilin (dhyana factors)" and "gongde tsonglin (an array of meritorious qualities)." The Stages of Meditative Perfection is Zhiyi's systemization of the various dhyana methods practiced by Chinese Buddhists from the second to the sixth centuries A.D. A general sketch of The Stages of Meditative Perfection is made in the first three chapters of this study. In the first chapter I make a brief textual review and discuss some general features of this text. In chapter two, I discuss some of the important terms related to meditation practices used inThe Stages of Meditative Perfection. The third chapter is an analysis of some of Zhiyi's dhyana classification systems that appear in the first five chapters of The Stages of Meditative Perfection , which comprises Zhiyi's theoretical systemization of Dhyana-paramita . Among Zhiyi's discussion of the actual practice of the fifteen dhyana methods discussed in the sixth and seventh chapters of The Stages of Meditative Perfection, two dhyana practices, the Four Dhyanas and the Tongming guan (The Contemplation Leading to [Six] Supernormal Powers and [Three Illuminating] Insights) are the most crucial for our understanding of Zhiyi's concept of dhyana. Therefore, these two dhyana practices are selected as the subject of detailed analysis. Four aspects of Zhiyi's interpretation of dhyana will be examined in my analysis: Zhiyi's definitions of dhyana, his concepts of "Mundane Dhyana" and "Supramundane Dhyana," the role of intellect and physiology in the meditative states in Zhiyi's interpretation of dhyana, and Zhiyi's method of synthesizing practice and doctrine in his interpretation of dhyana.
dc.language.isoen_USen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectReligion, General.en_US
dc.subjectReligion, History of.en_US
dc.subjectReligion, Philosophy of.en_US
dc.titleZhiyi's interpretation of the concept "dhyana" in his Shi chan boluomi tsidi famenen_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.identifier.proquest3040125en_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineEast Asian Studiesen_US
thesis.degree.namePh.D.en_US
dc.identifier.bibrecord.b42481752en_US
refterms.dateFOA2018-06-28T20:46:22Z
html.description.abstractThis study is an analysis of Zhiyi's interpretation of the concept of "dhyana" in his Shi chanboluomi cidi famen (An Exposition of Methods to Achieve the Stages of Meditative Perfection, hereafter, The Stages of Meditative Perfection). In the studies of Chinese Buddhism, dhyana , translated into Chinese "chan," is commonly associated with the Chan school (Chan zong ) developed in China in the seventh and the eighth century. In Zhiyi's The Stages of Meditative Perfection, however, dhyana is generally understood as the Four Dhyanas. In the "Four Dhyanas" chapter of The Stages of Meditative Perfection, Zhiyi specifically defines dhyana as "zhilin (dhyana factors)" and "gongde tsonglin (an array of meritorious qualities)." The Stages of Meditative Perfection is Zhiyi's systemization of the various dhyana methods practiced by Chinese Buddhists from the second to the sixth centuries A.D. A general sketch of The Stages of Meditative Perfection is made in the first three chapters of this study. In the first chapter I make a brief textual review and discuss some general features of this text. In chapter two, I discuss some of the important terms related to meditation practices used inThe Stages of Meditative Perfection. The third chapter is an analysis of some of Zhiyi's dhyana classification systems that appear in the first five chapters of The Stages of Meditative Perfection , which comprises Zhiyi's theoretical systemization of Dhyana-paramita . Among Zhiyi's discussion of the actual practice of the fifteen dhyana methods discussed in the sixth and seventh chapters of The Stages of Meditative Perfection, two dhyana practices, the Four Dhyanas and the Tongming guan (The Contemplation Leading to [Six] Supernormal Powers and [Three Illuminating] Insights) are the most crucial for our understanding of Zhiyi's concept of dhyana. Therefore, these two dhyana practices are selected as the subject of detailed analysis. Four aspects of Zhiyi's interpretation of dhyana will be examined in my analysis: Zhiyi's definitions of dhyana, his concepts of "Mundane Dhyana" and "Supramundane Dhyana," the role of intellect and physiology in the meditative states in Zhiyi's interpretation of dhyana, and Zhiyi's method of synthesizing practice and doctrine in his interpretation of dhyana.


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