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dc.contributor.advisorCockrell, Thomasen_US
dc.contributor.authorCole, David Christopher
dc.creatorCole, David Christopheren_US
dc.date.accessioned2013-04-18T10:10:58Z
dc.date.available2013-04-18T10:10:58Z
dc.date.issued2006en_US
dc.identifier.urihttp://hdl.handle.net/10150/282906
dc.description.abstractThis study explores two evolutionary principles related to Jan Swafford's string orchestra work From the Shadow of the Mountain: the musical evolution of the composition, including its use of octatonic pitch collections and the quotation and transformation of two hymn tunes, and the performance--related evolution of the work from its original version to its final version. The study documents changes made to the score in the course of rehearsals for performances of the second version along with suggestions from composer and conductor in creating the third version of the score.
dc.language.isoen_USen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectMusic.en_US
dc.titleMusical and performance-related evolution in Jan Swafford's "From the Shadow of the Mountain"en_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.identifier.proquest3205460en_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusic and Danceen_US
thesis.degree.nameD.M.A.en_US
dc.identifier.bibrecord.b50288258en_US
refterms.dateFOA2018-08-16T19:07:04Z
html.description.abstractThis study explores two evolutionary principles related to Jan Swafford's string orchestra work From the Shadow of the Mountain: the musical evolution of the composition, including its use of octatonic pitch collections and the quotation and transformation of two hymn tunes, and the performance--related evolution of the work from its original version to its final version. The study documents changes made to the score in the course of rehearsals for performances of the second version along with suggestions from composer and conductor in creating the third version of the score.


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