A performer's analysis of Hans Werner Henze's "Royal Winter Music", Sonata I
| dc.contributor.advisor | Patterson, Thomas | en_US |
| dc.contributor.author | Harding, Michael David, 1960- | |
| dc.creator | Harding, Michael David, 1960- | en_US |
| dc.date.accessioned | 2013-05-09T09:19:41Z | |
| dc.date.available | 2013-05-09T09:19:41Z | |
| dc.date.issued | 1997 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10150/288945 | |
| dc.description.abstract | Royal Winter Music (First and Second Sonatas on Shakespearean Characters) by Hans Werner Henze is the largest composition for solo classical guitar written to date. It is comprised of nine movements, each movement a musical portrait of a character from Shakespeare's plays. My discussion focuses on the first sonata, comparing a detailed examination of the Shakespearean characters, and any applicable dialogue, with Henze's musical portraits. The musical analysis is from a performer's viewpoint and does not offer a strict theoretical analysis. Instead, my intention is to find key components of form, harmony, and other musical elements that illuminate the inner workings of Henze's music and its relationship to the Shakespearean character. | |
| dc.language.iso | en_US | en_US |
| dc.publisher | The University of Arizona. | en_US |
| dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en_US |
| dc.subject | Music. | en_US |
| dc.subject | Theater. | en_US |
| dc.subject | Education, Music. | en_US |
| dc.title | A performer's analysis of Hans Werner Henze's "Royal Winter Music", Sonata I | en_US |
| dc.type | text | en_US |
| dc.type | Dissertation-Reproduction (electronic) | en_US |
| thesis.degree.grantor | University of Arizona | en_US |
| thesis.degree.level | doctoral | en_US |
| dc.identifier.proquest | 9729468 | en_US |
| thesis.degree.discipline | Graduate College | en_US |
| thesis.degree.discipline | Music and Dance | en_US |
| thesis.degree.name | D.M.A. | en_US |
| dc.description.note | This item was digitized from a paper original and/or a microfilm copy. If you need higher-resolution images for any content in this item, please contact us at repository@u.library.arizona.edu. | |
| dc.identifier.bibrecord | .b34801923 | en_US |
| dc.description.admin-note | Original file replaced with corrected file April 2023. | |
| refterms.dateFOA | 2018-06-12T02:39:27Z | |
| html.description.abstract | Royal Winter Music (First and Second Sonatas on Shakespearean Characters) by Hans Werner Henze is the largest composition for solo classical guitar written to date. It is comprised of nine movements, each movement a musical portrait of a character from Shakespeare's plays. My discussion focuses on the first sonata, comparing a detailed examination of the Shakespearean characters, and any applicable dialogue, with Henze's musical portraits. The musical analysis is from a performer's viewpoint and does not offer a strict theoretical analysis. Instead, my intention is to find key components of form, harmony, and other musical elements that illuminate the inner workings of Henze's music and its relationship to the Shakespearean character. |
