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dc.contributor.advisorGibson, Tannisen_US
dc.contributor.authorMacchioni, Oscar Ernesto
dc.creatorMacchioni, Oscar Ernestoen_US
dc.date.accessioned2013-05-09T10:56:40Z
dc.date.available2013-05-09T10:56:40Z
dc.date.issued2004en_US
dc.identifier.urihttp://hdl.handle.net/10150/290076
dc.description.abstractThis document represents research and analysis of tangos for solo piano composed by six American art music composers. The selected tangos are from 1920 to 1990. They are representative of diverse musical styles, including tonal and non-tonal musical languages, and both structural and improvisational writing. The first three chapters are dedicated to the study of the tango. Chapter II investigates origins of the tango and presents various theories and dances that influenced tango argentino. Also, in this chapter there is a discussion of what the author considers to be three main elements (musical cadence, choreography, and lyrics) that make tango argentino so distinctive from other tango traditions. Chapter III introduces the tango in the United States and its influence on art music composers. Chapter IV is dedicated to six leading American composers: Virgil Thomson, Aaron Copland, Samuel Barber, David Jaggard, Chester Biscardi, and William Bolcom. Each one of these composers was attracted to the tango genre and expressed through his own musical utterance, the diverse trends in tango styles in the twentieth century. An ample appendix lists tangos for piano by composers from around the world. Finally, a recording of the works analyzed can be obtained through the University of Arizona School of Music and Dance, or through the author's web page at www.oscarmacchioni.net.
dc.language.isoen_USen_US
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectMusic.en_US
dc.titleThe tango in American piano music: Selected tangos by Thomson, Copland, Barber, Jaggard, Biscardi, and Bolcomen_US
dc.typetexten_US
dc.typeDissertation-Reproduction (electronic)en_US
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.identifier.proquest3132240en_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineMusic and Danceen_US
thesis.degree.nameD.M.A.en_US
dc.identifier.bibrecord.b46707505en_US
refterms.dateFOA2018-08-16T14:10:30Z
html.description.abstractThis document represents research and analysis of tangos for solo piano composed by six American art music composers. The selected tangos are from 1920 to 1990. They are representative of diverse musical styles, including tonal and non-tonal musical languages, and both structural and improvisational writing. The first three chapters are dedicated to the study of the tango. Chapter II investigates origins of the tango and presents various theories and dances that influenced tango argentino. Also, in this chapter there is a discussion of what the author considers to be three main elements (musical cadence, choreography, and lyrics) that make tango argentino so distinctive from other tango traditions. Chapter III introduces the tango in the United States and its influence on art music composers. Chapter IV is dedicated to six leading American composers: Virgil Thomson, Aaron Copland, Samuel Barber, David Jaggard, Chester Biscardi, and William Bolcom. Each one of these composers was attracted to the tango genre and expressed through his own musical utterance, the diverse trends in tango styles in the twentieth century. An ample appendix lists tangos for piano by composers from around the world. Finally, a recording of the works analyzed can be obtained through the University of Arizona School of Music and Dance, or through the author's web page at www.oscarmacchioni.net.


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