THE MUSIC OF INDIA, CHINA, JAPAN AND OCEANIA: A SOURCE BOOK FOR TEACHERS
AuthorFreebern, Charles L., 1934-
KeywordsMusic -- India -- History and criticism.
Music -- China -- History and criticism.
Music -- Japan -- History and criticism.
Music -- Oceania -- History and criticism.
Music -- Handbooks, manuals, etc.
MetadataShow full item record
PublisherThe University of Arizona.
RightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
Degree ProgramGraduate College
Degree GrantorUniversity of Arizona
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That Old Time Religion: The Influence of West and Central African Religious Culture on the Music of the Azusa Street RevivalBrobeck, John T.; Wickham, Anna; Schauer, Elizabeth R.; Mugmon, Matthew (The University of Arizona., 2014)The Azusa Street Revival was a movement started in 1906 by a small group of black individuals at a prayer meeting in Los Angeles, California. The revival is largely considered the beginning of the Pentecostal movement. This paper investigates the relationship between the worship practices of the Azusa Street Revival and the musical and religious traditions of the West and Central African peoples who were the ancestors of some of the most prominent and influential participants in the movement. These practices, which include spirit possession, physical movement and rhythm, musical collaboration, and indeterminate times of worship, seemingly made their way from Africa into the daily lives of African American slaves, where they were adopted by participants at the American camp meetings of the early nineteenth century. From there, these West and Central African musical traditions became instituted in the holiness movement, the precursor to the Azusa Street Revival.
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