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Creation of an identity: American Indian protest art
| dc.contributor.advisor | Ivey, Paul E. | en_US |
| dc.contributor.author | Kaufmann, Laurel Jeanne, 1966- | |
| dc.creator | Kaufmann, Laurel Jeanne, 1966- | en_US |
| dc.date.accessioned | 2013-05-16T09:47:38Z | |
| dc.date.available | 2013-05-16T09:47:38Z | |
| dc.date.issued | 1993 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10150/291933 | |
| dc.description.abstract | This thesis addresses and critically reviews American Indian protest art as a legitimate art genre. Brief discussions of the Studio (the first formal American Indian art school), the Institute of American Indian Arts (IAIA), and the American Indian protest movements of the 1960s and 1970s, as well as irony, satire, and humor in Indian art are included. The concept of the "Indian" identity as a motivating factor of the art, and the redundant use of stereotypical imagery as it relates to cultural conflicts are addressed. Descriptive interpretations of the art of David Bradley, Alex Jacobs, and Stan Natchez, and the three fundamental elements of this art style are presented in detail. | |
| dc.language.iso | en_US | en_US |
| dc.publisher | The University of Arizona. | en_US |
| dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en_US |
| dc.subject | Anthropology, Cultural. | en_US |
| dc.subject | Art History. | en_US |
| dc.subject | Sociology, Ethnic and Racial Studies. | en_US |
| dc.title | Creation of an identity: American Indian protest art | en_US |
| dc.type | text | en_US |
| dc.type | Thesis-Reproduction (electronic) | en_US |
| thesis.degree.grantor | University of Arizona | en_US |
| thesis.degree.level | masters | en_US |
| dc.identifier.proquest | 1356798 | en_US |
| thesis.degree.discipline | Graduate College | en_US |
| thesis.degree.discipline | American Indian Studies | en_US |
| thesis.degree.name | M.A. | en_US |
| dc.identifier.bibrecord | .b33619359 | en_US |
| refterms.dateFOA | 2018-06-17T08:47:35Z | |
| html.description.abstract | This thesis addresses and critically reviews American Indian protest art as a legitimate art genre. Brief discussions of the Studio (the first formal American Indian art school), the Institute of American Indian Arts (IAIA), and the American Indian protest movements of the 1960s and 1970s, as well as irony, satire, and humor in Indian art are included. The concept of the "Indian" identity as a motivating factor of the art, and the redundant use of stereotypical imagery as it relates to cultural conflicts are addressed. Descriptive interpretations of the art of David Bradley, Alex Jacobs, and Stan Natchez, and the three fundamental elements of this art style are presented in detail. |
