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    Laibach: Provocations of a problematic past

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    Author
    Griffin, Winifred Mary, 1969-
    Issue Date
    1996
    Keywords
    Literature, Germanic.
    History, European.
    Music.
    Advisor
    Kosta, Barbara
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    This thesis examines the way in which the traumas of World War II and its aftermath in the former Yugoslavia are dealt with in the work of the post-punk group Laibach. The Laibach project challenges traditional memories by combining seemingly incompatible images of Nazism, Stalinism, Hitler, etc. The result is a forced reworking of the traumas of the totalitarian past. The renewed focus on past traumas encourages critical awareness and active participation in the process of memory for the individual. Laibach's work encourages awareness not only of the past, but also of existing state systems. By complicating the desire to forget the past, Laibach fosters an understanding of the interrelatedness of history and the present. Beyond exploring Laibach's provocations, this thesis also discusses similar aspects of projects in German artistic and intellectual culture to examine how these individuals continue to work through the problematic past of World War II.
    Type
    text
    Thesis-Reproduction (electronic)
    Degree Name
    M.A.
    Degree Level
    masters
    Degree Program
    Graduate College
    German Studies
    Degree Grantor
    University of Arizona
    Collections
    Master's Theses

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