Pierre-Max Dubois, a biography and performance analysis of three representative works: "Serenades", "Concerto Ironico", and "Sonatine-Tango"
| dc.contributor.advisor | Dietz, William | en_US |
| dc.contributor.author | Mercer, Bjorn | |
| dc.creator | Mercer, Bjorn | en_US |
| dc.date.accessioned | 2013-11-13T17:54:38Z | |
| dc.date.available | 2013-11-13T17:54:38Z | |
| dc.date.issued | 2011 | |
| dc.identifier.uri | http://hdl.handle.net/10150/305373 | |
| dc.description.abstract | Pierre-Max Dubois (1930-1995) is an important composer of works for the bassoon in the late twentieth century. Steeped in a French tradition that includes Darius Milhaud, Dubois composed music with a sense of humor and precise compositional craft. Throughout his career, Dubois wrote 15 works for solo bassoon and 13 chamber works that include bassoon. This paper is a thorough examination of three representative works by Pierre-Max Dubois, Serenades (1954), Concerto Ironico (1968), and Sonatine-Tango (1984). This paper will demonstrate that Dubois' works for bassoon merit consideration as quality music for bassoon. | |
| dc.language.iso | en_US | en_US |
| dc.publisher | The University of Arizona. | en_US |
| dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en_US |
| dc.subject | Music | en_US |
| dc.title | Pierre-Max Dubois, a biography and performance analysis of three representative works: "Serenades", "Concerto Ironico", and "Sonatine-Tango" | en_US |
| dc.type | text | en_US |
| dc.type | Electronic Dissertation | en_US |
| dc.contributor.chair | Dietz, William | en_US |
| thesis.degree.grantor | University of Arizona | en_US |
| thesis.degree.level | doctoral | en_US |
| dc.contributor.committeemember | Tatman, Neil | en_US |
| dc.contributor.committeemember | Thomas, Kelland | en_US |
| thesis.degree.discipline | Graduate College | en_US |
| thesis.degree.discipline | Music | en_US |
| thesis.degree.name | D.M.A. | en_US |
| refterms.dateFOA | 2022-12-20T20:30:54Z | |
| html.description.abstract | Pierre-Max Dubois (1930-1995) is an important composer of works for the bassoon in the late twentieth century. Steeped in a French tradition that includes Darius Milhaud, Dubois composed music with a sense of humor and precise compositional craft. Throughout his career, Dubois wrote 15 works for solo bassoon and 13 chamber works that include bassoon. This paper is a thorough examination of three representative works by Pierre-Max Dubois, Serenades (1954), Concerto Ironico (1968), and Sonatine-Tango (1984). This paper will demonstrate that Dubois' works for bassoon merit consideration as quality music for bassoon. |
