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dc.contributor.advisorMonsman, Geralden_US
dc.contributor.authorHoller, Seth C.
dc.creatorHoller, Seth C.en_US
dc.date.accessioned2014-07-16T16:50:49Z
dc.date.available2014-07-16T16:50:49Z
dc.date.issued2014
dc.identifier.urihttp://hdl.handle.net/10150/323220
dc.description.abstractThis project considers the literary debts of Evelyn Waugh and Graham Greene to a handful of Victorian artists, mostly protestant, with special emphasis on Charles Dickens. Chapter 1 introduces the novelists and addresses objections to my thesis. Chapter 2 is a literature review on the English Catholic literary renaissance at the turn of the twentieth century. Chapters 3 and 4 develop a theory and definition of the Catholic novel, focusing on the problem of literary and philosophical realism, Flannery O'Connor's conception of "anagogical vision," and Jacques Maritain's writings on art and the novel as a literary form. Chapters 5 and 6 in turn analyze several books, both fiction and non-fiction, by Waugh and Greene.
dc.language.isoen_USen
dc.publisherThe University of Arizona.en_US
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en_US
dc.subjectEnglishen_US
dc.titleEcumenical Craft: Evelyn Waugh, Graham Greene, and their Victorian Mastersen_US
dc.typetexten
dc.typeElectronic Dissertationen
thesis.degree.grantorUniversity of Arizonaen_US
thesis.degree.leveldoctoralen_US
dc.contributor.committeememberMonsman, Geralden_US
dc.contributor.committeememberRaval, Sureshen_US
dc.contributor.committeememberPettey, Homeren_US
thesis.degree.disciplineGraduate Collegeen_US
thesis.degree.disciplineEnglishen_US
thesis.degree.namePh.D.en_US
refterms.dateFOA2018-06-15T04:30:44Z
html.description.abstractThis project considers the literary debts of Evelyn Waugh and Graham Greene to a handful of Victorian artists, mostly protestant, with special emphasis on Charles Dickens. Chapter 1 introduces the novelists and addresses objections to my thesis. Chapter 2 is a literature review on the English Catholic literary renaissance at the turn of the twentieth century. Chapters 3 and 4 develop a theory and definition of the Catholic novel, focusing on the problem of literary and philosophical realism, Flannery O'Connor's conception of "anagogical vision," and Jacques Maritain's writings on art and the novel as a literary form. Chapters 5 and 6 in turn analyze several books, both fiction and non-fiction, by Waugh and Greene.


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