That Old Time Religion: The Influence of West and Central African Religious Culture on the Music of the Azusa Street Revival
Author
Wickham, AnnaIssue Date
2014Keywords
American Revival MusicAzusa Street Revival
Pentecostal Music
Revival
Revival Music
Music
African American Music
Advisor
Brobeck, John T.
Metadata
Show full item recordPublisher
The University of Arizona.Rights
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.Abstract
The Azusa Street Revival was a movement started in 1906 by a small group of black individuals at a prayer meeting in Los Angeles, California. The revival is largely considered the beginning of the Pentecostal movement. This paper investigates the relationship between the worship practices of the Azusa Street Revival and the musical and religious traditions of the West and Central African peoples who were the ancestors of some of the most prominent and influential participants in the movement. These practices, which include spirit possession, physical movement and rhythm, musical collaboration, and indeterminate times of worship, seemingly made their way from Africa into the daily lives of African American slaves, where they were adopted by participants at the American camp meetings of the early nineteenth century. From there, these West and Central African musical traditions became instituted in the holiness movement, the precursor to the Azusa Street Revival.Type
textElectronic Thesis
Degree Name
M.M.Degree Level
mastersDegree Program
Graduate CollegeMusic
