That Old Time Religion: The Influence of West and Central African Religious Culture on the Music of the Azusa Street Revival
KeywordsAmerican Revival Music
Azusa Street Revival
African American Music
AdvisorBrobeck, John T.
MetadataShow full item record
PublisherThe University of Arizona.
RightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
AbstractThe Azusa Street Revival was a movement started in 1906 by a small group of black individuals at a prayer meeting in Los Angeles, California. The revival is largely considered the beginning of the Pentecostal movement. This paper investigates the relationship between the worship practices of the Azusa Street Revival and the musical and religious traditions of the West and Central African peoples who were the ancestors of some of the most prominent and influential participants in the movement. These practices, which include spirit possession, physical movement and rhythm, musical collaboration, and indeterminate times of worship, seemingly made their way from Africa into the daily lives of African American slaves, where they were adopted by participants at the American camp meetings of the early nineteenth century. From there, these West and Central African musical traditions became instituted in the holiness movement, the precursor to the Azusa Street Revival.
Degree ProgramGraduate College
Degree GrantorUniversity of Arizona
Showing items related by title, author, creator and subject.
Strolling in "Coral Grove": Yuan Hongdao's Shan Hu Lin and the Revival of Chan Buddhism in the Wanli Period (1573-1620)Zi, Xin (The University of Arizona., 2013)Yuan Hongdao was an eminent leader of the Gong'an school in the literary circles during the Wanli Reign of the Ming Dynasty. Inevitably influenced by the trend of thought supported by the Confucian scholars who followed Wang Yangming's (1472-1529) intellectual movement of "learning of the mind" and "innate knowing", which was closely correlated with the reinvention of Chan Buddhism, Yuan Hongdao became an advocate of free expression of innate sensibility and an expert in Chan meditation. The Shan hu lin was an expression of Yuan Hongdao's thoughts on Chan practice and self-cultivation and bore a deep meaning of the integration of Confucianism, Buddhism, and Daoism. This thesis reveals Yuan Hongdao's association with Chan Buddhism, examines the writing of the Shan hu lin, and analyzes its textual content, in order to demonstrate the revival of Chan Buddhism in the literati circle during the late Ming period.