Franz Liszt's Via Crucis: A Summation of the Composer's Styles and Beliefs
dc.contributor.advisor | Chamberlain, Bruce B. | en_US |
dc.contributor.author | Black, Daniel David | |
dc.creator | Black, Daniel David | en_US |
dc.date.accessioned | 2014-10-21T19:12:16Z | |
dc.date.available | 2014-10-21T19:12:16Z | |
dc.date.issued | 2014 | |
dc.identifier.uri | http://hdl.handle.net/10150/333039 | |
dc.description.abstract | This document focuses on a major nineteenth century choral composition written for Roman Catholic worship, Franz Liszt's Via Crucis. Analysis of this composition suggests that in it the composer mixes styles described in an early 1835 article in Gazette musicale de Paris with Lutheran chorales and ways of composition characteristic of his late period. | |
dc.language.iso | en_US | en |
dc.publisher | The University of Arizona. | en_US |
dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en_US |
dc.subject | Cross | en_US |
dc.subject | Crusis | en_US |
dc.subject | Latin | en_US |
dc.subject | Liszt | en_US |
dc.subject | Stations | en_US |
dc.subject | Music | en_US |
dc.subject | Choral | en_US |
dc.title | Franz Liszt's Via Crucis: A Summation of the Composer's Styles and Beliefs | en_US |
dc.type | text | en |
dc.type | Electronic Dissertation | en |
thesis.degree.grantor | University of Arizona | en_US |
thesis.degree.level | doctoral | en_US |
dc.contributor.committeemember | Chamberlain, Bruce B. | en_US |
dc.contributor.committeemember | Schauer, Elizabeth | en_US |
dc.contributor.committeemember | Brobeck, John | en_US |
thesis.degree.discipline | Graduate College | en_US |
thesis.degree.discipline | Music | en_US |
thesis.degree.name | D.M.A. | en_US |
refterms.dateFOA | 2018-06-27T10:49:50Z | |
html.description.abstract | This document focuses on a major nineteenth century choral composition written for Roman Catholic worship, Franz Liszt's Via Crucis. Analysis of this composition suggests that in it the composer mixes styles described in an early 1835 article in Gazette musicale de Paris with Lutheran chorales and ways of composition characteristic of his late period. |