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    New Voices: A Context For And Sampling Of Song Cycles By Vancouver Composers Since 2005

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    Author
    Prins Moeller, Kimberly Joy
    Issue Date
    2014
    Keywords
    Canada
    contemporary
    Vancouver
    Music
    art song
    Advisor
    Dauphinais, Kristin
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    In June 2013 the Vancouver International Song Institute (VISI) hosted its inaugural Contemporary Performance Studies program. The ten-day event offered student and emerging artist singers and pianists the opportunity to study and perform contemporary works both of their own selection and assigned by the program directors. Among the pieces assigned were works by Vancouver composers, both established professionals and rising talents, that showcased astonishing variety, depth, and excellence in their styles and artistry. The composers at VISI represented the latest generation in a long tradition of art song composition in Canada, but outside of the country's borders, Canada's composers and works are largely unknown. Lack of presence in the international musical canon has unfortunately been a historical issue for Canada. However, as compositional trends have shifted toward neo-tonality, art song in Canada has experienced significant growth in production and performance, particularly in Vancouver. Aided by organizations such as VISI, Canadian art song has been primed to take a prominent position on the international stage.
    Type
    text
    Electronic Dissertation
    Degree Name
    D.M.A.
    Degree Level
    doctoral
    Degree Program
    Graduate College
    Music
    Degree Grantor
    University of Arizona
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