An analytical study of Peter Brook's concept of "holy theatre" as applied to Samuel Beckett's Happy days
| dc.contributor.author | Woynerowski, Jerome Joseph, 1942- | |
| dc.creator | Woynerowski, Jerome Joseph, 1942- | en |
| dc.date.accessioned | 2015-05-21T10:10:35Z | en |
| dc.date.available | 2015-05-21T10:10:35Z | en |
| dc.date.issued | 1973 | en |
| dc.identifier.uri | http://hdl.handle.net/10150/554472 | en |
| dc.language.iso | en_US | en |
| dc.publisher | The University of Arizona. | en |
| dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en |
| dc.subject | Brook, Peter -- Criticism and interpretation. | en |
| dc.subject | Beckett, Samuel, 1906- -- Happy days. | en |
| dc.subject | Experimental theater. | en |
| dc.subject | Drama -- 20th century -- History and criticism. | en |
| dc.title | An analytical study of Peter Brook's concept of "holy theatre" as applied to Samuel Beckett's Happy days | en |
| dc.type | text | en |
| dc.type | Thesis-Reproduction (electronic) | en |
| dc.identifier.oclc | 29394198 | en |
| thesis.degree.grantor | University of Arizona | en |
| thesis.degree.level | masters | en |
| thesis.degree.discipline | Speech Communication | en |
| thesis.degree.discipline | Graduate College | en |
| thesis.degree.name | M.A. | en |
| dc.description.note | This item was digitized from a paper original and/or a microfilm copy. If you need higher-resolution images for any content in this item, please contact us at repository@u.library.arizona.edu. | en |
| dc.identifier.bibrecord | .b31143891 | en |
| dc.identifier.callnumber | E9791 1973 138 | en |
| refterms.dateFOA | 2018-09-07T23:13:10Z |
