Homoafectividad y Nueva Izquierda en América Latina: Adaptaciones de la Obra de Senel Paz

Abstract

Social Science scholars study how the New Left - the wave of leftist governments in Latin America since 1999 - redefines leftism in the Post-Cold War. Part of this redefinition is a new social pact between the Queer community and those Latin American governments. Chapter 1 traces the ideological itinerary of this new social agreement and establishes the methodology of the study. El lobo, el bosque y el hombre nuevo (The Wolf, the Forest and the New Man) by Senel Paz reformulated the relationship between the dissident subjects of the patriarchy and the leftist state in Cuban society of the 1990s. Chapter 2 highlights Paz's text for its separation from the Cold War narratives centered on the leftist armed insurgent movements. Chapter 3 studies how the film adaptation of Paz's work globalized the argument and structured it within the Post-Cold War. Chapter 4 analyzes the theatrical adaptations of Paz's work made in Latin American countries after 1999. Two are compared from countries with New Latin American Leftist governments, Venezuela and Argentina, with others made in non-Latin American countries, the United States and Spain. The critical reception of the two theatrical adaptations done in Latin America showed the argument as part of their reality, in contrast to the representations made in the United States and Spain. Chapter 5 analyzes the repercussions of Paz's text in popular culture through the reggaeton "Fresa y chocolate."