Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss's Sonata
| dc.contributor.advisor | Patterson, Reed Thomas | en |
| dc.contributor.author | Serrano Munoz, Jaime Renato | |
| dc.creator | Serrano Munoz, Jaime Renato | en |
| dc.date.accessioned | 2016-02-09T22:28:30Z | en |
| dc.date.available | 2016-02-09T22:28:30Z | en |
| dc.date.issued | 2016 | en |
| dc.identifier.uri | http://hdl.handle.net/10150/595984 | en |
| dc.description.abstract | "Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss's Sonata 36 (from the Dresden Manuscript) as a Model" analyzes the process of creating guitar transcriptions of Weiss's music. The methodology unfolds through three steps: 1) rendering the tablature into modern guitar notation, 2) analyses of stylistic issues for the definition of fingerings on the guitar, and 3) two categories of ornamental practices—essential embellishments and diminutions. In addition, the study includes a discussion about an alternative tuning and presents a suggested prelude for Sonata 36 from the Dresden manuscript. The purpose of this research is twofold: first, to create a new guitar transcription of a sonata by Weiss, analyzing the challenges inherent in this process, and second, to train intermediate and advanced guitar students to develop their own original transcriptions following the model presented in this study. | |
| dc.language.iso | en_US | en |
| dc.publisher | The University of Arizona. | en |
| dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en |
| dc.subject | Guitar | en |
| dc.subject | Serrano | en |
| dc.subject | Sonata | en |
| dc.subject | Transcription | en |
| dc.subject | Weiss | en |
| dc.subject | Music | en |
| dc.subject | Guidelines | en |
| dc.title | Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss's Sonata | en_US |
| dc.type | text | en |
| dc.type | Electronic Dissertation | en |
| thesis.degree.grantor | University of Arizona | en |
| thesis.degree.level | doctoral | en |
| dc.contributor.committeemember | Patterson, Reed Thomas | en |
| dc.contributor.committeemember | Alejo, Philip | en |
| dc.contributor.committeemember | McLaughlin, Carrol | en |
| thesis.degree.discipline | Graduate College | en |
| thesis.degree.discipline | Music | en |
| thesis.degree.name | D.M.A. | en |
| refterms.dateFOA | 2018-08-19T09:29:04Z | |
| html.description.abstract | "Guidelines for Transcribing Baroque Lute Music for the Modern Guitar, Using Silvius Leopold Weiss's Sonata 36 (from the Dresden Manuscript) as a Model" analyzes the process of creating guitar transcriptions of Weiss's music. The methodology unfolds through three steps: 1) rendering the tablature into modern guitar notation, 2) analyses of stylistic issues for the definition of fingerings on the guitar, and 3) two categories of ornamental practices—essential embellishments and diminutions. In addition, the study includes a discussion about an alternative tuning and presents a suggested prelude for Sonata 36 from the Dresden manuscript. The purpose of this research is twofold: first, to create a new guitar transcription of a sonata by Weiss, analyzing the challenges inherent in this process, and second, to train intermediate and advanced guitar students to develop their own original transcriptions following the model presented in this study. |
