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dc.contributor.advisorSherry, Charles E.en
dc.contributor.authorReddy, Pavan Kumar*
dc.creatorReddy, Pavan Kumaren
dc.date.accessioned2016-06-07T21:39:25Z
dc.date.available2016-06-07T21:39:25Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10150/612127
dc.description.abstractThis dissertation demonstrates how Samuel Taylor Coleridge provides a unique vision of reality in which his evolving self-consciousness mirrors, contributes to, and is subsumed by a single universal consciousness. Utilizing the divine power of imagination, he is able to decipher the images from the material world as characters of God's symbolic language of self-revelation; subsequently, through the divine "attribute" of reason, he is able to transform them into a corresponding symbolic language of poetry. He realizes that his creativity is a finite repetition of God's infinite act of creation in which "spirit," God's consciousness in creation, comes to an awareness of itself through the human mind. This study argues that, according to Coleridge, these processes follow a divine intention, and the human faculties and the mind's structure have been molded precisely to achieve a particular understanding of reality that conforms to God's requirements and for spirit's self-actualization. Furthermore, the process by which Coleridge creates and derives knowledge from his poetic expressions follows an archetypal blueprint according to which all natural processes operate. This project illustrates not only how the theory of organicism lies at the foundation of the complex, reciprocal relationship between Coleridge's artistic expression and developing subjectivity, but also how there is an organic interrelationship between an individual's developing self-consciousness and spirit's growing awareness of its cosmic totality. Ultimately, Coleridge's writings reveal that the macrocosmic and microcosmic processes are organically interrelated, interdependent, and symbiotic and that this "truth" is gradually discovered through his experiences of the divine elements of love and beauty in creation.
dc.language.isoen_USen
dc.publisherThe University of Arizona.en
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en
dc.subjectGerman Idealismen
dc.subjectOrganicismen
dc.subjectPhenomenologyen
dc.subjectSamuel Taylor Coleridgeen
dc.subjectSubjectivity and Aestheticsen
dc.subjectEnglishen
dc.subjectEuropean Romanticismen
dc.titleReturn to the Eternal Recurrence: Coleridge and the "Echo or Mirror Seeking of Itself"en_US
dc.typetexten
dc.typeElectronic Dissertationen
thesis.degree.grantorUniversity of Arizonaen
thesis.degree.leveldoctoralen
dc.contributor.committeememberRaval, Suresh S.en
dc.contributor.committeememberBrown, Meg Lotaen
dc.contributor.committeememberSherry, Charles E.en
dc.description.releaseRelease after 09-May-2018en
thesis.degree.disciplineGraduate Collegeen
thesis.degree.disciplineEnglishen
thesis.degree.namePh.D.en
refterms.dateFOA2018-05-09T00:00:00Z
html.description.abstractThis dissertation demonstrates how Samuel Taylor Coleridge provides a unique vision of reality in which his evolving self-consciousness mirrors, contributes to, and is subsumed by a single universal consciousness. Utilizing the divine power of imagination, he is able to decipher the images from the material world as characters of God's symbolic language of self-revelation; subsequently, through the divine "attribute" of reason, he is able to transform them into a corresponding symbolic language of poetry. He realizes that his creativity is a finite repetition of God's infinite act of creation in which "spirit," God's consciousness in creation, comes to an awareness of itself through the human mind. This study argues that, according to Coleridge, these processes follow a divine intention, and the human faculties and the mind's structure have been molded precisely to achieve a particular understanding of reality that conforms to God's requirements and for spirit's self-actualization. Furthermore, the process by which Coleridge creates and derives knowledge from his poetic expressions follows an archetypal blueprint according to which all natural processes operate. This project illustrates not only how the theory of organicism lies at the foundation of the complex, reciprocal relationship between Coleridge's artistic expression and developing subjectivity, but also how there is an organic interrelationship between an individual's developing self-consciousness and spirit's growing awareness of its cosmic totality. Ultimately, Coleridge's writings reveal that the macrocosmic and microcosmic processes are organically interrelated, interdependent, and symbiotic and that this "truth" is gradually discovered through his experiences of the divine elements of love and beauty in creation.


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