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    La Monica: A Study of Early Baroque Performance Practices as Applied to Philipp Friedrich Böddecker' s Sonata sopra "La Monica"

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    Author
    Watson, Rebecca Leigh Hagen
    Issue Date
    2016
    Keywords
    Friedrich
    La Monica
    Philipp
    Music
    Böddecker
    Advisor
    Dietz, William
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    In the course of this work, examples of early baroque ornamentation extracted from historical vocal treatises will be applied to Philipp Friedrich Böddecker's "Sonata sopra 'La Monica.'" This study will demonstrate that Böddecker's sonata for bassoon and basso continuo is derived from a popular vocal tune of the 17th century and therefore an informed early baroque instrumental performance practice for this work can be extracted from early Baroque Era vocal performance treatises. Additionally, testimonies from authentic performance practices of the early Baroque Era will be applied to this work in an effort to create a guide to a historically informed performance.
    Type
    text
    Electronic Dissertation
    Degree Name
    D.M.A.
    Degree Level
    doctoral
    Degree Program
    Graduate College
    Music
    Degree Grantor
    University of Arizona
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