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dc.contributor.advisorBaca, Damianen
dc.contributor.authorJagla, Irene
dc.creatorJagla, Ireneen
dc.date.accessioned2016-09-23T20:43:48Z
dc.date.available2016-09-23T20:43:48Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10150/620666
dc.description.abstractBy using Foucauldian critical discourse analysis along with Stuart Hall's theories of representation, I investigate the meanings that Yaqui representations reproduce and how they develop a discourse of Yaquinesss: the set of terms through which Yaquis came to be understood as subjects in Tucson. With the recognition era as a timeframe-the years between the onset of publicly visible Yaqui political action in Tucson in the early 1960s, to the early 1980s after official Yaqui recognition in 1978-this project argues that a discourse of Yaquiness during the recognition era expanded to include various meanings that reconstituted the Yaqui community and its survivance efforts. While a discourse of Yaquiness can be traced back to Tucson media representations that positioned Yaquis as marginal non-citizens, during the recognition era Yaqui self-representations emerged and circulated along with earlier meanings, sometimes rearticulating and challenging them, to reproduce the Tucson Yaqui community as an economically, politically, and culturally autonomous entity. I use Gerald Vizenor's definition of survivance as an active sense of presence over absence to interpret how the community's political, economic, and cultural initiatives assert Yaqui futures. This project identifies a discourse of Yaquiness through analyzing how Tucson print media representations reified Yaquis as marginal, non-citizens. However, Yaqui self-representations have also played a role in Yaqui survivance by accompanying and challenging the meanings produced by Tucson print media. This project examines how Yaqui representations added meanings to a discourse of Yaquiness that transformed as the community practiced survivance during the recognition era.
dc.language.isoen_USen
dc.publisherThe University of Arizona.en
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en
dc.subjectRepresentationen
dc.subjectTucsonen
dc.subjectYaquien
dc.subjectRhetoric, Composition & the Teaching of Englishen
dc.subjectDiscourseen
dc.titleRepresentations of Yaquis in the Recognition Eraen_US
dc.typetexten
dc.typeElectronic Dissertationen
thesis.degree.grantorUniversity of Arizonaen
thesis.degree.leveldoctoralen
dc.contributor.committeememberCardenas, Maritzaen
dc.contributor.committeememberEvers, Larryen
dc.contributor.committeememberVega, Danielen
dc.contributor.committeememberBaca, Damianen
thesis.degree.disciplineGraduate Collegeen
thesis.degree.disciplineRhetoric, Composition & the Teaching of Englishen
thesis.degree.namePh.D.en
refterms.dateFOA2018-09-11T14:51:59Z
html.description.abstractBy using Foucauldian critical discourse analysis along with Stuart Hall's theories of representation, I investigate the meanings that Yaqui representations reproduce and how they develop a discourse of Yaquinesss: the set of terms through which Yaquis came to be understood as subjects in Tucson. With the recognition era as a timeframe-the years between the onset of publicly visible Yaqui political action in Tucson in the early 1960s, to the early 1980s after official Yaqui recognition in 1978-this project argues that a discourse of Yaquiness during the recognition era expanded to include various meanings that reconstituted the Yaqui community and its survivance efforts. While a discourse of Yaquiness can be traced back to Tucson media representations that positioned Yaquis as marginal non-citizens, during the recognition era Yaqui self-representations emerged and circulated along with earlier meanings, sometimes rearticulating and challenging them, to reproduce the Tucson Yaqui community as an economically, politically, and culturally autonomous entity. I use Gerald Vizenor's definition of survivance as an active sense of presence over absence to interpret how the community's political, economic, and cultural initiatives assert Yaqui futures. This project identifies a discourse of Yaquiness through analyzing how Tucson print media representations reified Yaquis as marginal, non-citizens. However, Yaqui self-representations have also played a role in Yaqui survivance by accompanying and challenging the meanings produced by Tucson print media. This project examines how Yaqui representations added meanings to a discourse of Yaquiness that transformed as the community practiced survivance during the recognition era.


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