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dc.contributor.advisorWiddifield, Stacie G.en
dc.contributor.advisorChabot, Aurore M.en
dc.contributor.authorKitagawa, Carolina Maki*
dc.creatorKitagawa, Carolina Makien
dc.date.accessioned2016-12-23T16:47:03Z
dc.date.available2016-12-23T16:47:03Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10150/621840
dc.description.abstractPRESENTE EN EL MUSEO | absent in the museum was a performance installation exhibited at the 2016 MFA Thesis Exhibition. The project archived studio practice methodologies that question the current stasis of art academia's indifference to alternative art theory originating from other sources of knowledge besides that of the male Eurocentric art canon. I, as the artist, executed an experiment to combat and envision a bridge between multiple realities proving they can coexist creating a joint effort in providing modernization of contemporary art. This thesis paper is an accompaniment to the visual performance art component.
dc.language.isoen_USen
dc.publisherThe University of Arizona.en
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en
dc.subjectEducationen
dc.subjectInstitutionen
dc.subjectPerformanceen
dc.subjectRacismen
dc.subjectSculptureen
dc.subjectArten
dc.subjectArten
dc.titlePresente en el Museo | absent in the museumen_US
dc.typetexten
dc.typeElectronic Thesisen
thesis.degree.grantorUniversity of Arizonaen
thesis.degree.levelmastersen
dc.contributor.committeememberZepeda, Ofeliaen
dc.contributor.committeememberPenn, Barbara A.en
dc.contributor.committeememberMoore, Sarah J.en
thesis.degree.disciplineGraduate Collegeen
thesis.degree.disciplineArten
thesis.degree.nameM.F.A.en
refterms.dateFOA2018-08-18T12:51:21Z
html.description.abstractPRESENTE EN EL MUSEO | absent in the museum was a performance installation exhibited at the 2016 MFA Thesis Exhibition. The project archived studio practice methodologies that question the current stasis of art academia's indifference to alternative art theory originating from other sources of knowledge besides that of the male Eurocentric art canon. I, as the artist, executed an experiment to combat and envision a bridge between multiple realities proving they can coexist creating a joint effort in providing modernization of contemporary art. This thesis paper is an accompaniment to the visual performance art component.


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