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dc.contributor.advisorSoto, Sandraen
dc.contributor.authorKim, Bomyung
dc.creatorKim, Bomyungen
dc.date.accessioned2017-01-03T23:55:09Z
dc.date.available2017-01-03T23:55:09Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10150/621868
dc.description.abstractThis dissertation examines postwar U.S. feminist narrative practices of "making," writing, and sustaining "feminist history" and their spatiotemporal figuration of the subject of "women of color." In so doing, I attend to three discursive genres of postwar U.S. "feminist history": manifestos of postwar U.S. women's movements, histories of postwar U.S. women's movements, and the discourse of "post-feminism." The term "feminist history," in this sense, relates to the various ways that postwar U.S. feminists theorized women's liberation (manifestos), historicized the past of postwar U.S. women's movements (histories), and countered the putative "end" of postwar U.S. feminism (post-feminism). First, I argue that manifestos and histories of postwar U.S. women's movements as well as the discourse of "post-feminism" commonly utilized narrative form of discourse within which spatiotemporal imagination of "feminist history" articulate. Second, I point to the spatiotemporal figuration of racial others within these postwar U.S. feminist narratives of "feminist history." Third, I question the political implication of the spatial mobility of "women of color" which is increasingly seized by the late-modern spatiotemporal politics of multiculturalism.
dc.language.isoen_USen
dc.publisherThe University of Arizona.en
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en
dc.subjectNarrativeen
dc.subjectRaceen
dc.subjectTimespaceen
dc.subjectGender & Women's Studiesen
dc.subjectHistoryen
dc.titleSpatiotemporal Politics of Postwar U.S. "Feminist History": Manifestos, Histories, and Post-Feminismsen_US
dc.typetexten
dc.typeElectronic Dissertationen
thesis.degree.grantorUniversity of Arizonaen
thesis.degree.leveldoctoralen
dc.contributor.committeememberSoto, Sandraen
dc.contributor.committeememberJoseph, Mirandaen
dc.contributor.committeememberCasper, Monicaen
dc.description.releaseRelease after 20-Sep-2018en
thesis.degree.disciplineGraduate Collegeen
thesis.degree.disciplineGender & Women's Studiesen
thesis.degree.namePh.D.en
html.description.abstractThis dissertation examines postwar U.S. feminist narrative practices of "making," writing, and sustaining "feminist history" and their spatiotemporal figuration of the subject of "women of color." In so doing, I attend to three discursive genres of postwar U.S. "feminist history": manifestos of postwar U.S. women's movements, histories of postwar U.S. women's movements, and the discourse of "post-feminism." The term "feminist history," in this sense, relates to the various ways that postwar U.S. feminists theorized women's liberation (manifestos), historicized the past of postwar U.S. women's movements (histories), and countered the putative "end" of postwar U.S. feminism (post-feminism). First, I argue that manifestos and histories of postwar U.S. women's movements as well as the discourse of "post-feminism" commonly utilized narrative form of discourse within which spatiotemporal imagination of "feminist history" articulate. Second, I point to the spatiotemporal figuration of racial others within these postwar U.S. feminist narratives of "feminist history." Third, I question the political implication of the spatial mobility of "women of color" which is increasingly seized by the late-modern spatiotemporal politics of multiculturalism.


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