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dc.contributor.authorBrobeck, John T.
dc.date.accessioned2017-01-06T21:19:02Z
dc.date.available2017-01-06T21:19:02Z
dc.date.issued2016-09-28
dc.identifier.citationA MUSIC BOOK FOR MARY TUDOR, QUEEN OF FRANCE 2016, 35:1 Early Music Historyen
dc.identifier.issn0261-1279
dc.identifier.issn1474-0559
dc.identifier.doi10.1017/S0261127916000024
dc.identifier.urihttp://hdl.handle.net/10150/621897
dc.description.abstractFrank Dobbins in memoriam In 1976 Louise Litterick proposed that Cambridge, Magdalene College, Pepys Library MS 1760 was originally prepared for Louis XII and Anne of Brittany of France but was gifted to Henry VIII of England in 1509. That the manuscript actually was prepared as a wedding gift from Louis to his third wife Mary Tudor in 1514, however, is indicated by its decorative and textual imagery, which mirrors the decoration of a book of hours given by Louis to Mary and the textual imagery used in her four royal entries. Analysis of the manuscript’s tabula and texts suggests that MS 1760 was planned by Louis’s chapelmaster Hilaire Bernonneau (d. 1524) at the king’s behest. The new theory elucidates the content and significance of Gascongne’s twelve-voice canon Ista est speciosa, which appeared beneath an original portrait of Mary Tudor and was intended to mirror the perfection of the Blessed Virgin and her ‘godchild’ Mary.
dc.language.isoenen
dc.publisherCambridge University Pressen
dc.relation.urlhttp://www.journals.cambridge.org/abstract_S0261127916000024en
dc.rights© Cambridge University Press 2016.en
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectCambridge Pepys 1760en
dc.subjectFrench royal courten
dc.subjectMathieu Gascongneen
dc.subjectHilaire Bernnoneauen
dc.subjectIsta est speciosaen
dc.subjectJean Perréalen
dc.titleA MUSIC BOOK FOR MARY TUDOR, QUEEN OF FRANCEen
dc.typeArticleen
dc.contributor.departmentUniversity of Arizonaen
dc.identifier.journalEarly Music Historyen
dc.description.collectioninformationThis item from the UA Faculty Publications collection is made available by the University of Arizona with support from the University of Arizona Libraries. If you have questions, please contact us at repository@u.library.arizona.edu.en
dc.eprint.versionFinal accepted manuscripten
refterms.dateFOA2018-09-11T16:46:30Z
html.description.abstractFrank Dobbins in memoriam In 1976 Louise Litterick proposed that Cambridge, Magdalene College, Pepys Library MS 1760 was originally prepared for Louis XII and Anne of Brittany of France but was gifted to Henry VIII of England in 1509. That the manuscript actually was prepared as a wedding gift from Louis to his third wife Mary Tudor in 1514, however, is indicated by its decorative and textual imagery, which mirrors the decoration of a book of hours given by Louis to Mary and the textual imagery used in her four royal entries. Analysis of the manuscript’s tabula and texts suggests that MS 1760 was planned by Louis’s chapelmaster Hilaire Bernonneau (d. 1524) at the king’s behest. The new theory elucidates the content and significance of Gascongne’s twelve-voice canon Ista est speciosa, which appeared beneath an original portrait of Mary Tudor and was intended to mirror the perfection of the Blessed Virgin and her ‘godchild’ Mary.


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