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    Chromatic Evolution of the Pre-Recapitulatory Harmony in Felix Mendelssohn's Songs without Words

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    Author
    Abdalla Abarca, Faez Ismael
    Issue Date
    2016
    Keywords
    Dominant of the Mediant
    Harmonic-thematic Displacement
    Pre-recapitulatory Harmony
    Songs without Words
    Tonic/leading-tone Complex
    Chromatic Evolution
    Advisor
    Pomeroy, David B.
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    In Darwinian evolution, a living population evolves when it is exposed to the selection pressures of a new biological medium. Analogously, in my chromatic evolution a chord "evolves" when it is exposed to a new chromatic medium, forcing it to adapt and harmonically modify its pitch content. This is a process by which a diatonic, consonant chord is progressively transformed into a chromatic substitute, over a span of several similar works, without losing or modifying the chord’s resolution tendencies, harmonic function, or formal location. From a Schenkerian perspective—and using Felix Mendelssohn’s Songs without Words as my corpus study—I will demonstrate how the pre-recapitulatory dominant (the root-position dominant that conventionally precedes the recapitulation) progressively evolves into a highly chromatic substitute: the dominant of the mediant.
    Type
    text
    Electronic Thesis
    Degree Name
    M.M.
    Degree Level
    masters
    Degree Program
    Graduate College
    Music
    Degree Grantor
    University of Arizona
    Collections
    Master's Theses

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