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    The Trio d'Anches as exemplified by three contemporary French composers

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    Author
    Townsend, David Michael
    Issue Date
    1980
    Keywords
    lecture recital document
    Advisor
    Denman, John Anthony
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    The direct translation of the French title, trio d'anches, is simply trio of reeds. It consists of the standard reed instruments of the orchestra: oboe, clarinet, and bassoon. The main purpose of this study is to help the American reader appreciate and be more familiar with this unique and largely unknown chamber music genre. Unknown, because it is more represented in some countries of the world than in others, both in numbers of compositions and performers of these compositions. In France, for example, there are professional trios concertizing year around as well as faculty trios attached to most music conservatories. In the United States, however, there has been very little interest in this combination. The author will be discussing the contributions of some composers from other countries later in this document. Throughout this study, the author has chosen to refer to the trio of reeds as trio d'anches for two reasons. First, the French composers have been primarily responsible for the output of this group's music-- approximately 36% of the entire repertoire, with 17 countries represented. Second, since the French were the first to create this combination and write for it, the author has selected only French composers as examples. The pieces chosen cover a time period from 1897-1954. It is interesting to note that the most significant international increase in the composing, performing, and publishing of wind chamber music occurred in the 1930's and 40's. However, since that time virtually every combination, including the trio d'anches, has continued to be recognized with new and expansive compositions.
    Type
    text
    Dissertation-Reproduction (electronic)
    Degree Name
    D.M.A.
    Degree Level
    doctoral
    Degree Program
    Graduate College
    Music
    Degree Grantor
    University of Arizona
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