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dc.contributor.authorVan Wyk, Ilse-Mari
dc.creatorVan Wyk, Ilse-Marien
dc.date.accessioned2017-07-21T18:26:06Z
dc.date.available2017-07-21T18:26:06Z
dc.date.issued1989
dc.identifier.urihttp://hdl.handle.net/10150/624861
dc.description.abstractDavid Baker is a prominent American composer, noted for his fusion of jazz elements with western art music. The focus of this study is on his composition for cello and percussion, Singers of Songs-Weavers of Dreams, where this fusion is particularly evident. Baker's writing for the cello is most innovative and of considerable historical significance. Firstly, he introduced the cello to the realm of jazz, and secondly, revolutionized fingering patterns in order to accomodate jazz modal sequences and improvisational patterns. This composition is truly a milestone in the cello literature, unprecedented in style and technical innovation, and deserving of more attention.
dc.language.isoen_USen
dc.publisherThe University of Arizona.en
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en
dc.subjectlecture recital documenten
dc.subjectBaker, David, 1931-2016--Criticism and interpretation.en
dc.titleA style analysis of David Baker's composition for cello and percussion: "Singers of Songs-Wears of Dreams"en_US
dc.typetexten
dc.typeDissertation-Reproduction (electronic)en
thesis.degree.grantorUniversity of Arizonaen
thesis.degree.leveldoctoralen
thesis.degree.disciplineGraduate Collegeen
thesis.degree.disciplineMusicen
thesis.degree.nameD.M.A.en
dc.description.noteLecture Recital Document (Digitized from holdings at the Fine Arts Library, University of Arizona Libraries)en
dc.identifier.callnumber1989 VAN
refterms.dateFOA2018-09-11T21:30:21Z
html.description.abstractDavid Baker is a prominent American composer, noted for his fusion of jazz elements with western art music. The focus of this study is on his composition for cello and percussion, Singers of Songs-Weavers of Dreams, where this fusion is particularly evident. Baker's writing for the cello is most innovative and of considerable historical significance. Firstly, he introduced the cello to the realm of jazz, and secondly, revolutionized fingering patterns in order to accomodate jazz modal sequences and improvisational patterns. This composition is truly a milestone in the cello literature, unprecedented in style and technical innovation, and deserving of more attention.


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