A hidden agenda: universality in the Musikalische Exequien of Heinrich Schütz
Author
Mennicke, David L.Issue Date
1989Advisor
Skones, Maurice H.
Metadata
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The University of Arizona.Rights
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.Abstract
This document is really a tale of two Heinrichs. The first is the famous seventeenth-century German musician, Heinrich Schütz (1585- 1672), composer of the Musikalische Exequien (S WV 279 -281). The second is Prince Heinrich Posthumus von Reuss (1572- 1635), for whose funeral the Exequien was written. Portraits of both men appear on the opposite page.Type
textDissertation-Reproduction (electronic)
Degree Name
D.M.A.Degree Level
doctoralDegree Program
Graduate CollegeMusic