A hidden agenda: universality in the Musikalische Exequien of Heinrich Schütz
| dc.contributor.advisor | Skones, Maurice H. | en |
| dc.contributor.author | Mennicke, David L. | |
| dc.creator | Mennicke, David L. | en |
| dc.date.accessioned | 2017-07-26T15:48:37Z | |
| dc.date.available | 2017-07-26T15:48:37Z | |
| dc.date.issued | 1989 | |
| dc.identifier.uri | http://hdl.handle.net/10150/624877 | |
| dc.description.abstract | This document is really a tale of two Heinrichs. The first is the famous seventeenth-century German musician, Heinrich Schütz (1585- 1672), composer of the Musikalische Exequien (S WV 279 -281). The second is Prince Heinrich Posthumus von Reuss (1572- 1635), for whose funeral the Exequien was written. Portraits of both men appear on the opposite page. | |
| dc.language.iso | en_US | en |
| dc.publisher | The University of Arizona. | en |
| dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en |
| dc.subject | lecture recital document | en |
| dc.subject | Schütz, Heinrich, 1585-1672. Musicalische Exequien. | en |
| dc.title | A hidden agenda: universality in the Musikalische Exequien of Heinrich Schütz | en_US |
| dc.type | text | en |
| dc.type | Dissertation-Reproduction (electronic) | en |
| thesis.degree.grantor | University of Arizona | en |
| thesis.degree.level | doctoral | en |
| thesis.degree.discipline | Graduate College | en |
| thesis.degree.discipline | Music | en |
| thesis.degree.name | D.M.A. | en |
| dc.description.note | Lecture Recital Document (Digitized from holdings at the Fine Arts Library, University of Arizona Libraries) | en |
| dc.identifier.callnumber | 1989 MEN | |
| refterms.dateFOA | 2018-09-11T21:34:07Z | |
| html.description.abstract | This document is really a tale of two Heinrichs. The first is the famous seventeenth-century German musician, Heinrich Schütz (1585- 1672), composer of the Musikalische Exequien (S WV 279 -281). The second is Prince Heinrich Posthumus von Reuss (1572- 1635), for whose funeral the Exequien was written. Portraits of both men appear on the opposite page. |
